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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The 1780s to the 1840s

They wanted to know of what sex we were, which they explained by pointing to where it was distinguishable, as they took us for women, not having our beards grown. I ordered one of the people to undeceive them in this particular, when they made a great shout of admiration
(Phillip Gidley King, 1788)

Portrait of Captain James Cook RN, 1782 John Webber
Portrait of Captain James Cook RN, 1782 John Webber

Eighteenth century men differed from those of the preceding centuries in their preference for beardlessness. This was the typical facial hair condition throughout most of the 1700s, when wearing a beard was likely to cast one into the category of eccentric, insane or otherwise unreasoned and ungoverned. Wigs were customary for men in this era. Also called periwigs or perukes, wigs were made from human or animal hair and worn by all men, regardless of class or profession. They were available in various colours and were often powdered. By the mid 1700s, the short, tied-back style of wig known as a bag wig had replaced the elaborate shoulder-length styles of wig typical of the first part of the century.

By the end of the century, however, ideas about equality and liberty had begun to filter through to fashion. Looks and fabrics became less opulent and styles more flowing and comfortable – notable particularly in women’s gowns which, with higher waistlines that required less restraint from undergarments, began to demonstrate the era’s embrace of neo-classicism. For men, wigs fell out of favour and in revolutionary France became associated with the excesses of the idle rich. In the prevailing mood of egalitarianism, short, tousled and unpowdered hairstyles became the standard. Men’s clothes likewise became less fussy and more practical.

But whereas the trend towards shorter waistcoats and closer-fitting breeches might be argued to have been a means by which a gentleman’s masculinity was emphasised, the late eighteenth century habit of being clean-shaven gave Indigenous people cause to question the gender of the explorers and colonisers they encountered as Enlightenment ideas and imperialism lured the British to the New World. In Australia, the British reinforced their belief that being beardless was the mark of a civilised man by introducing shaving to the Aboriginal men Arabanoo, Colebee and Bennelong after they were captured as a means of forcing contact between the two communities.

Throughout the first decades of the 1800s, the beard remained a signifier of cultural or political radicalism or other conditions eschewed by respectable society. Men’s fashions – high collars, neckcloths, high-waisted trousers and close-fitting coats – tended instead to create a romantic or dandified air. Sidewhiskers began migrating southward and along with restrained moustaches were adopted in emulation of the facial hair fashions observed by men such as Prince Albert and members of the military. Some men wore their hair in curls and used preparations such as perfumed Macassar oil to smooth or sculpt it.

9 portraits

1Francis Tuckfield, c. 1854 an unknown artist. 2Captain W Kinghorne, 1834 Thomas James Lempriere. 3Charles Windeyer, 1830s an unknown artist. 4Richard Windeyer, c. 1828 Charles Richard Bone.

Related information

Henry Lawson, c. 1919 Lionel Lindsay
Henry Lawson, c. 1919 Lionel Lindsay
Henry Lawson, c. 1919 Lionel Lindsay
Henry Lawson, c. 1919 Lionel Lindsay

Jo's mo show

(with beards)

Previous exhibition, 2011

This exhibition illustrates changes in beards, moustaches and sideburns from the 1780s to the 1980s.

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The National Portrait Gallery
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.