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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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In the mirror: self portrait with Joy Hester

Depth of Field

Portrait Photography from the Collection

Previous exhibition, 2004

Over the last five years the National Portrait Gallery has developed a collection of portrait photographs that reflects both the strength and diversity of Australian achievement as well as the talents of our photographers.

David Campese II

Sporting Archibald

Previous exhibition, 2000

Celebrating the focus on sport during 2000, this special exhibition features our national sporting heroes and heroines immortalised on canvas

Treaties for madmen only, 2008 by Matthew Regan

Treaties for madmen only, 2008

by Matthew Regan

Slim Dusty and Dame Edna Everage, Carlton Hill Station, WA, 10 July 1993

Rarely Everage

The Lives of Barry Humphries

Previous exhibition, 2002

The exhibition begins with Barry's childhood in Camberwell, Melbourne and chronicles his days as a struggling actor in Australia and England, his creation of characters including Barry McKenzie, Dame Edna Everage, Sandy Stone and Sir Les Patterson

David Williamson

The Story So Far...

Magazine article by Simon Elliott, 2002

A reflection on the National Portrait Gallery's first four years.

Coral Browne

Coral Browne

Coral Browne

Coral Browne, 1975

Portrait, pencil with ink wash on paper

Collection: National Portrait Gallery
Purchased 1999

Twelve portraits of finalists for the Little Darlings Youth Portrait Prize 2023

Little Darlings Youth Portrait Prize 2023

Previous exhibition, 2023

Little Darlings is for primary and secondary students, with four separate categories across Kindergarten to Year 12. Responding to the theme ‘Me and my place’, students painted, drew, photographed, printed or combined all of these to make their portrait.

Miss Frances Samuel

Frances Samuel

Frances Samuel (1818-c. 1898) was a member of one of early Sydney's most significant Jewish settler families.

1 portrait in the collection

Cathy Freeman, 1994

Depth of Field

Magazine article by Lauren Dalla, 2004

The exhibition Depth of Field displays a selection of portrait photographs that reflect the strength and diversity of Australian achievement.

Margaret Fulton

Masters of Fare

Chefs, winemakers, providores

Previous exhibition, 2004

Masters of fare: chefs, winemakers, providores celebrates men and women who have championed the unique culinary characteristics and produce of Australia, enriching our lives with new ideas and new flavours over the past forty years.

Bon Scott & Angus Young, Atlanta, Georgia

No shirt, no service

Magazine article by Dr Sarah Engledow, 2010

Bon Scott and Angus Young photographed by Rennie Ellis are part of a display celebrating summer and images of the shirtless male.

Harold Darling

Harold Darling

Harold Darling (1885-1950) was chairman of BHP from 1922 to 1950. Born in Adelaide, he entered his father's milling and grain business when he was 18.

2 portraits in the collection

Portrait of Jill Neville

Jill Neville

Jill Neville (1932–1997), writer and critic, grew up in Sydney and attended a Blue Mountains boarding school.

1 portrait in the collection

Cormac and Callum, 2008 by Ingvar Kenne

National Photographic Portrait Prize 2009

Previous exhibition, 2009

In its second year at the National Portrait Gallery, and for the first time touring to other venues, the National Photographic Portrait Prize 2009 continues to present surprising perspectives on the nature of contemporary portrait photography.

Noni Hazlehurst

Noni Hazlehurst

Noni Hazlehurst

Noni Hazlehurst, 1977 (printed 2011)

Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Purchased 2011

Barry Humphries

No Laughing Matter

Magazine article by Simon Elliott, 2002

The biographical exhibition of Barry Humphries was the first display of its kind at the National Portrait Gallery.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency