- About us
- Support the Gallery
- Venue hire
- Publications
- Research library
- Organisation chart
- Employment
- Contact us
- Make a booking
- Onsite programs
- Online programs
- School visit information
- Learning resources
- Little Darlings
- Professional learning
Ensconced and meditative in crisp Tasmania, Joanna Gilmour pays tribute to passionate green advocate and photographer Olegas Truchanas.
Christopher Chapman takes a trip through the doors of perception, arriving at the junction of surrealism and psychoanalysis.
Tenille Hands explores a portrait prize gifted to the National Screen and Sound Archive.
Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.
Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.
It’s a matter beyond dispute that in the entire history of Australian art, it’s Noel McKenna who’s painted the liveliest rendition of the head of a Chihuahua.
Where do we draw a line between the personal and the historical? Although she died in Melbourne in 1975, when I was not quite eleven years old, I have the vividest memories of my maternal grandmother Helen Borthwick.
One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.