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The life of William Bligh offers up a handful of the most remarkable episodes in the history of Britain’s eighteenth and early nineteenth-century maritime empire.
On the day before the Hon. E. G. Whitlam, AC, QC, died last month, at the great age of 98, there were seven former prime ministers of Australia still living, plus the incumbent Mr. Abbott – eight in all.
At first glance, this small watercolour group portrait of her two sons and four daughters by Maria Caroline Brownrigg (d. 1880) may seem prosaic, even hesitant
From Cicero through St. Augustine and Coluccio Salutati right up to the present day, we have regularly weighed the significance, respective merits and competing priorities of the “active” versus the “contemplative” life. Can they coexist?
Purchased 2010
Twice rebelled against, and twice vindicated, William Bligh occupies an ambivalent space in Australian history. Angus Trumble, former Director of the National Portrait Gallery, explains.
A question lately cropped up in connection with Madame Melba as to whether fame and celebrity are not essentially the same thing. My feeling is that they are different.
I have been reading systematically through the ads in the earliest issues of the Sydney Gazette and New South Wales Advertiser, such a rich vein of information about certain aspects of daily life in Regency Sydney.
The caricaturist and engraver James Gillray's biting satires about Sir Joseph Banks.
In recent years I have become fascinated by the so-called Sydney Cove Medallion (1789), a work of art that bridges the 10,000-mile gap between the newly established penal settlement at Port Jackson and the beating heart of Enlightenment England.
Bon Scott and Angus Young photographed by Rennie Ellis are part of a display celebrating summer and images of the shirtless male.
Angus and the arbiters talk (photo) shop for the National Photographic Portrait Prize.
Members of the Board, Foundation and staff of the National Portrait Gallery are deeply saddened by the sudden passing of Angus Trumble.
Today, Mr Angus Trumble, Director of the National Portrait Gallery, expanded on his reasons for removing the photographic portrait of Indonesian President Joko Widodo from exhibition.