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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Marian Anderson, contralto, New York, June 30, 1955 Richard Avedon

The right note

Magazine article by Leslie Ureña, 2020

Marian Anderson’s glorious voice thrust her into stardom, and a more reluctant role as American civil rights pioneer.

Thomas Sutcliffe Mort and his wife Theresa

Tiny Trace of a Colonial Giant

Magazine article by Dr Sarah Engledow, 2004

At just 7.8 x 6.2 cm, the daguerreotype of Thomas Sutcliffe Mort and his wife Theresa is one of the smallest works in the collection of the National Portrait Gallery.

Bee Miles

Good, bad and the ugly

Magazine article by Michael Desmond, 2007

Michael Desmond explores what makes a portrait subject significant.

The Cutmear sisters, Jane and Lucy, c. 1842

A man of superior attainments

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.

Christian Waller with Baldur, Undine and Siren at Fairy Hills, 1932 by Napier Waller

Enigma

Magazine article by Grace Carroll, 2015

Grace Carroll contemplates the curious case of Christian Waller.

Pierre de Rigaud de Vaudreuil de Cavagnial, Marquis de Vaudreuil, ca.1753-55

Canadian identities

Magazine article by Lilly Koltun, 2004

An exploration of national identity in the Canadian context drawn from the symposium Face to Face at the Scottish National Portrait Gallery in 2004.

Miles from nowhere, 2008 (printed 2014) from the Games of consequence series 2008 Polixeni Papapetrou

Mother’s muse

Magazine article by Inga Walton, 2020

Inga Walton traces the poignant path of photographer Polixeni Papapetrou, revealed in the NGV’s summer retrospective.

The Window Seat, 1907 by Frances Hodgkins

Kiwi magpie

Magazine article by Penelope Grist, 2018

Penelope Grist finds inspiration in pioneering New Zealand artist, Frances Hodgkins.

Thua Tich, South Vietnam, 1969-06 by Christopher Bellis

The jungle look

Magazine article by David Gist, 2019

David Gist steps beyond the public relations veneer of Australia’s official Vietnam War portrait photographs.

Chang the Chinese giant and party

The portrait writ large

Magazine article by Karen Vickery, 2015

Karen Vickery on Chang the Chinese giant in Australia.

Geoffrey Graham

The mind's eye

Magazine article by Dr Christopher Chapman, 2017

Christopher Chapman takes a trip through the doors of perception, arriving at the junction of surrealism and psychoanalysis.

Portrait of Captain James Cook RN

Unbuttoning uniforms

Magazine article by Sharon Peoples, 2017

Sharon Peoples contemplates costumes and the construction of identity.

Self portrait

In good company

Magazine article by Joanna Gilmour, 2015

Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.

John Monash

Lauded legacy

Magazine article by Karl James, 2015

Karl James gives short shrift to doubts about the profile of General Sir John Monash.

My father-in-law watering his garden, 1986 by Davida Allen

Lovingly observed

Magazine article by Dr Sarah Engledow, 2009

Sarah Engledow previews the beguiling summer exhibition, Idle hours.

Sir Joseph Banks

In a good paddock

Magazine article by Dr Sarah Engledow, 2011

Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.

© National Portrait Gallery 2021
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency