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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

A Goldfields Member

Showing character

Magazine article by Joanna Gilmour, 2016

Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.

The Conciliation, 1840 by Benjamin Duterrau

The art of conciliation

Magazine article by Gareth Knapman, 2017

Gareth Knapman explores the politics and opportunism behind the portraits of Tasmania’s Black War.

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All in the Family

Magazine article by Barbara Blackman AO, 2003

In 2000, Barbara Blackman donated a portrait of her close friends - poet Judith Wright, her husband Jack McKinney and their daughter Meredith - painted by Charles Blackman.

Barry Humphries

Uncommon Australians

The vision of Gordon and Marilyn Darling
General content

Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.

High school, 2008

Subtle emotion

Magazine article by Dr Christopher Chapman, 2010

Christopher Chapman considers photographer Rozalind Drummond's portrait of author Nam Le.

Les Murray

Poets' Portraits

Magazine article by Dr Sarah Engledow, 2005

The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.

Untitled, 2010 by Jose Legaspi

Jose Legaspi

by Patrick D. Flores
Artist essays

Jose Legaspi was born in 1959 in Manila. He achieved degrees in zoology and biology before turning to fine arts in the mid-1980s.

M H Wednesday 11.15am from the series Self-harm, 2004

Big it up

Magazine article by Magda Keaney, 2005

Former National Portrait Gallery Curator Magda Keaney was a member of the selection panel of the Schwepes Photographic Portrait Prize 2004 at the National Portrait Gallery London.

James Ford, 1979 by Robert Mapplethorpe

Apollo's breath

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman delights in the intimacy of Robert Mapplethorpe's photography

Barbara Blackman

Life class

Magazine article by Leonie Hellmers, 2004

Barbara Blackman reflects on her experiences as a life model.

ORA - Homesickness Project 2015 by Chrys Zantis

Food for thought

Magazine article by Michael Wardell, 2016

Michael Wardell on Chrys Zantis’ Ora.

Marilyn Darling AC

Support Crew

Magazine article by Dr Christopher Chapman, 2011

Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.

Self portrait

Home truths

Magazine article by Joanna Gilmour, 2013

Despite once expressing a limited interest in the self portrait, the idea of it has figured strongly in much of Tracey Moffatt's work and has done so in some of her most distinctive and compelling images.

Herb Wharton, Cunnamulla, Qld

Thousand mile stare

Magazine article by Simon Elliott, 2004

John Elliott talks about his photographic portrait practice, including his iconic image of Slim Dusty arm-in-arm with Dame Edna Everage.

Miss Robertson of Colac (Dolly), 1885-86

Brothers on farms

Magazine article by Malcolm Robertson, 2011

Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.

Edward John Eyre

Hearts of Darkness

Magazine article by Magda Keaney, 2006

The National Portrait Gallery's acquisition of the portrait of Edward John Eyre by pioneering English photographer Julia Margaret Cameron.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency