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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Captain James Cook

Rethinking foundational histories

Magazine article by Kate Fullagar, 2019

A focus on Indigenous-European relationships underpins Facing New Worlds. By Kate Fullagar.

Self portrait with gladioli

Facing Facts

Magazine article by Andrew Sayers AM, 2003

Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.

Jim Cobb at Chroma factory Mt Kuring-gai, NSW, 2017 by Mark Mohell

The alchemist’s profile

Magazine article by John Zubrzycki, 2017

John Zubrzycki meets Australian paint pioneer Jim Cobb.

Portrait bust of Dr Christine Rivett

In the round

Magazine article by Andrew Sayers AM, 2009

Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.

Self Portrait, 1963–64

What price self?

Magazine article by Jane Raffan, 2013

Jane Raffan investigates auction sales of self portraits nationally and internationally.

Ma Khin Mar Mar Kyi

My Favourite Australian

Magazine article by Christine Clark, 2009

The Australian public was invited in 2008 to vote for their favourite Australian.  After the votes were tallied an exhibition of the top-ten Popular Australians and the top-twenty unsung heroes was displayed at the National Portrait Gallery.

Portfolio of 54 portraits compiled by Queen Victoria, 1859–1861 by John Jabez Edwin Mayall, Camille Silvy, Frances Day and William Bambridge

Queen of cartes

Magazine article by Joanna Gilmour, 2019

Joanna Gilmour discusses the role of the carte de visite in portraiture’s democratisation, and its harnessing by Victoria, the world’s first media monarch.

Sappho, 1865

Mrs Cameron and the V&A

Magazine article by Magda Keaney, 2003

In March 2003 Magda Keaney travelled to London to join the photography section of the Victoria & Albert Museum for three months.

Chris Wallace-Crabbe

Confessional conversations

The portraiture of Kristin Headlam
Magazine article by Fiona Gruber, 2015

Fiona Gruber investigates the work of Australian painter Kristin Headlam.

Revd Dr Robert Walker Skating on Duddingston Loch, c.1795 by Sir Henry Raeburn

Great Scots

Magazine article by Diana O'Neil, 2017

Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.

Studio portrait of Lord Kitchener, British Secretary of State for War, 1914 by J Russell & Sons

All the way with K of K

Magazine article by Dr Sarah Engledow, 2016

Sarah Engledow bristles at the biographers’ neglect of Kitchener’s antipodean intervention.

M H Wednesday 11.15am from the series Self-harm, 2004

Big it up

Magazine article by Magda Keaney, 2005

Former National Portrait Gallery Curator Magda Keaney was a member of the selection panel of the Schwepes Photographic Portrait Prize 2004 at the National Portrait Gallery London.

Dr Brown and Green Old Time Waltz

Where the wild things are

Magazine article by Michael Desmond, 2009

Michael Desmond explores the complex portrait of Dr Bob Brown by Harold 'The Kangaroo' Thornton.

Barbara Blackman

Life class

Magazine article by Leonie Hellmers, 2004

Barbara Blackman reflects on her experiences as a life model.

The Rajah quilt, 1841 by Kezia Hayter

Material culture

Magazine article by Joanna Gilmour, 2018

The Rajah Quilt’s narrative promptings are as intriguing as the textile is intricate.

Helen Blaxland judging flower arrangements, c. 1940s photographer unknown

Petal to the mettle

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow lauds the very civil service of Dame Helen Blaxland.

© National Portrait Gallery 2021
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency