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Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.
Emma Kindred examines fashion as a representation of self and social ritual in 19th-century portraiture.
Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.
Tom Fryer surveys the twentieth-century architectural project, and finds representation and the portrait were integral elements.
Australian character on the market by Jane Raffan.
The London-born son of an American painter, Augustus Earle ended up in Australia by accident in January 1825.
The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.
Joanna Gilmour describes some of the stories of the individuals and incidents that define French exploration of Australia and the Pacific.
Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.
Dr Sarah Engledow explores the portraits of writers held in the National Portrait Gallery's collection.
How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.
John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.
Representations of the inhabitants of the new world expose the complexities of the colonisers' intentions.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.
Joanna Gilmour reflects on merging collections and challenging traditional assumptions around portraiture in WHO ARE YOU.
Sarah Engledow bristles at the biographers’ neglect of Kitchener’s antipodean intervention.