Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2018 Prize.
Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.
Christopher Chapman considers photographer Rozalind Drummond's portrait of author Nam Le.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.
The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.
How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.
Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.
An interview with the photographer.
Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.
How the National Portrait Gallery and its unique collection came to be
Cate Blanchett and the art of acting in Rosetzky’s digital portrait.
Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008
Basil grew into a speckled beauty – a long-legged leaper and an exceptionally vocal dog, with a great register of sounds, ascending in shock value from a whimper to a growl to a bark to a yelp that’s a violation of the ears.
To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).
Joanna Gilmour describes some of the stories of the individuals and incidents that define French exploration of Australia and the Pacific.
