Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.
Frank Hurley's celebrated images document the heroism and minutiae of Australian exploration in Antarctica.
Penelope Grist explores the United Nations stories in the Gallery’s collection.
Sarah Engledow looks at three decades of Nicholas Harding's portraiture.
Curator, Penny Grist, reveals how this exhibition came to be
John Zubrzycki lauds the characters of the Australian escapology trade.
Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.
Dr. Sarah Engledow tells the story of Australia's first Federal statistician, Sir George Knibbs.
Tom Fryer surveys the twentieth-century architectural project, and finds representation and the portrait were integral elements.
Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.
Dr Sarah Engledow discusses the recent gift of works by David Campbell.
Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.
Alexandra Roginski gets a feel for phrenology’s fundamentals.
To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).
Penny Grist, National Photographic Portrait Prize judge and curator, introduces the 2016 Prize.
The London-born son of an American painter, Augustus Earle ended up in Australia by accident in January 1825.
