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Showing character

Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.

Prima facie

Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.

Annual Appeal

Sir Thomas Gore-Browne, 1864

Collection: National Portrait Gallery
Purchased 2018

200 Years of Portraiture

To celebrate his family bicentenary, Malcolm Robertson looks at the portraiture legacy left by his ancestors.

Mugshots

A toast to the acquisition of an unconventional new portrait of former Prime Minister, Stanley Melbourne Bruce.

Moving still

Anne O’Hehir on the seductive power of the film still to reflect and shape ourselves and our cultural landscape.

Where the wild things are

Michael Desmond explores the complex portrait of Dr Bob Brown by Harold 'The Kangaroo' Thornton.

Unbuttoning uniforms

Sharon Peoples contemplates costumes and the construction of identity.

Me Myself I

Andrew Sayers explores the self-portraits created by Australian artist Sidney Nolan.

Shiny, happy people

Glynis Jones on the Powerhouse’s retrospective of one of Australia’s foremost fashion reportage and social photographers.

Arianne McNaught

An interview with the photographer.

Back track

Penelope Grist finds photographer Matt Nettheim re-visiting a formative and fulfilling career tram stop.

Corporate Characters

A collection of thirty-seven caricatures by the artist Joe Greenberg capture the heroes and villians of Australian business in the 1980s.

Brothers on farms

Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.

Bloodlines

Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).