Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).
Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.
Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.
Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.
Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.
In their own words lead researcher Louise Maher on the novel project that lets the Gallery’s portraits speak for themselves.
Dr Sarah Engledow writes about the larger-than-life Australian performance artist, Leigh Bowery.
Australia's former Cultural Attache to the USA, Ron Ramsey, describes the mood at the opening week of the revitalised American National Portrait Gallery.
The name of Florence Broadhurst, one of Australia’s most significant wallpaper and textile designers, is now firmly cemented in the canon of Australian art and design.
Diana Warnes explores the lives of Hal and Katherine 'Kate' Hattam through their portraits painted by Fred Williams and Clifton Pugh.
Michael Desmond, National Photographic Portrait Prize judge and curator, introduces the 2007 Prize.
Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.
Corinna Cullen on the symbolic power of pandemic-related imagery over the ages.
The Rajah Quilt’s narrative promptings are as intriguing as the textile is intricate.
Joanna Gilmour explores the life of Chinese-Australian businessman and philanthropist Quong Tart.
Michael Desmond introduces some of the ideas behind the exhibition Present Tense: An imagined grammar of portraiture in the digital age.
