Jane Raffan feasts on modernity’s entrée in the Belle Époque theatre of the demimonde.
Over the years the young Nicholas Harding got his hands on various mice and guinea pigs, but they served mainly to illustrate the concept of mortality.
Traversing paint and pixels, Inga Walton examines portraits of select women in Tudors to Windsors: British Royal Portraits.
Joanna Gilmour looks beyond the ivory face of select portrait miniatures to reveal their sitters’ true grit.
Dr. Sarah Engledow discovers the amazing life of Ms. Hilda Spong, little remembered star of the stage, who was captured in a portrait by Tom Roberts.
John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.
Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.
Shipmates for years, James Cook and Joseph Banks each kept a journal but neither man shed light on their relationship.
Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.
Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.
One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.
