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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Installing David Walsh

On the road again

Magazine article by Dr Deborah Hill, 2017

Deborah Hill talks figures with character, as the National Portrait Gallery touring exhibitions program welcomes its millionth visitor.

MacKenzie family silhouette

All there in black and white

Magazine article by Dr Sarah Engledow, 2007

The National Portrait Gallery acquired a beguiling silhouette group portrait by Samuel Metford, an English artist who spent periods of his working life in America.

Mirka Mora

It's a Mora!

Magazine article by Tedi Bills, 2016

Select extracts from Mirka Mora's autobiography, Wicked but Virtuous, provide rich accompaniment to recent Gallery acquisitions.

Self portrait with scarf

Rupert Bunny

Rupert Charles Wulsten Bunny (1864–1947) was one of the most celebrated Australian expatriate artists of his generation, achieving a degree of success in Paris in the 1890s and early 1900s that was unmatched by his peers.

3 portraits in the collection

Senator Bonner

Black tie or wombat: How formal should I go?

Magazine article by Michael Desmond, 2008

Michael Desmond discusses the portrait of Senator Neville Bonner by Robert Campbell Jnr.

Portrait of Louis Claude de Saulces de Freycinet

Louis Claude de Saulces de Freycinet

Louis-Claude Desaulses de Freycinet (1779–1842), hydrographer and cartographer, sailed with Nicolas Baudin on the Expédition aux terres australes, a journey of discovery, commissioned by Napoléon, to the unknown southern coast of New Holland.

1 portrait in the collection

Amy Johnson wearing a woollen suit from the collection of flight clothes designed by Madame Schiaparelli for her solo flight from London to Cape Town, 1938 unknown photographer

Air wear

Magazine article by Esther Agostino, 2015

Aviation carried women’s roles in society to greater heights – fashion followed suit.

Potters' Portrait Pot

Of human clay

Magazine article by Michael Desmond, 2009

The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.

Canberra Close Up: Angus Trumble

Desert Island Discs

About Face article

I agonized over the choice of four songs to take with me to the ABC Studios for Alex Sloan’s Canberra 666 afternoon program, a sort of iteration of the old BBC Desert Island Discs.

June Dally-Watkins

2023 Annual Appeal

In 2023 the Annual Appeal was focussed on a work by one of Australia's best loved and most successful portrait painters, Judy Cassab AO CBE, depicting model, entrepreneur and deportment icon, June Dally-Watkins OAM.

Queen Victoria (1819-1901), Signed and dated 1843 by Franz Xaver Winterhalter

Queen Victoria

About Face article

Last Sunday I had the privilege of appearing at the Canberra Writers’ Festival in conversation with Julia Baird. The subject of our session was Julia’s recent biography, Victoria the Queen: An Intimate Biography of the Woman who Ruled an Empire.

Bee Miles

Good, bad and the ugly

Magazine article by Michael Desmond, 2007

Michael Desmond explores what makes a portrait subject significant.

Francois-Marius Granet, 1807

Ingres in Paris

Magazine article by Andrew Sayers AM, 2006

Jean-Auguste-Dominique Ingres was one of the greatest portrait painters in history.

Portrait of Lady Eyre Williams (Jessie Gibbon)

Chance encounter

Magazine article by Joanna Gilmour, 2009

Joanna Gilmour explores the life and times of one of Melbourne's early socialites, Jessie Eyre Williams.

Dame Mabel Brookes

The hands have it

Magazine article by Angus Trumble, 2016

Angus Trumble treats the gallery’s collection with a dab hand.

Sisters, 2015 by André Brönnimann

Adam’s Prize Apples

Magazine article by Pamela Gerrish Nunn, 2016

Pamela Gerrish Nunn explores New Zealand’s premium award for portraiture.

© National Portrait Gallery 2025
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency