Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.
An exploration of national identity in the Canadian context drawn from the symposium Face to Face at the Scottish National Portrait Gallery in 2004.
An exhibition devoted to Hans Holbein's English commissions shows the portraitist bringing across the Channel new technical developments in art - with a dazzling facility.
English artist Benjamin Duterrau took up the cause of the Indigenous peoples of Tasmania with his detailed and sympathetic renderings.
As the National Portrait Gallery opens its exhibition of portrait and figurative work by veteran photographer Sam Haskins, the artist reflects on the highlights of his fifty-year career so far.
Gillian Raymond ponders landscapes as self-portraiture in Michael Taylor’s intimate expressionism.
Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.
Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.
Diana Warnes explores the lives of Hal and Katherine 'Kate' Hattam through their portraits painted by Fred Williams and Clifton Pugh.
Projecting the splendour of the empire, and the resolve of its subjects, the bust of William Birdwood keeps a stiff upper lip in the National Portrait Gallery.
The life and art of Australian artist Jenny Sages is on display in the exhibition Paths to Portraiture.
The exhibition Australians in Hollywood celebrated the achievements of Australians in the highly competitive American film industry.
The exhibition Aussies all features the ecclectic portrait photography of Rennie Ellis which captures Australian life during the 70s and 80s.
Marian Anderson’s glorious voice thrust her into stardom, and a more reluctant role as American civil rights pioneer.
At just 7.8 x 6.2 cm, the daguerreotype of Thomas Sutcliffe Mort and his wife Theresa is one of the smallest works in the collection of the National Portrait Gallery.
Anne Sanders finds connections in Inner Worlds between Hungarian expatriates and the development of psychoanalysis in Australia.
