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Ryan Presley about portraiture, Emma Kindred on the career of Joan Ross, Ellie Buttrose looks at Archie Moore’s kith and kin, and Joanna Gilmour steps into the world of Julie Rrap.
Alfred Vincent began working for the Bulletin in 1896, taking over from the renowned Phil May, his idol, with whom he was often - inevitably - unfavourably compared.
1 portrait in the collection
Gordon Powell AM KCSJ (1911-2005) Presbyterian minister, broadcaster and writer, is regarded as one of the most influential Australian Presbyterians.
1 portrait in the collection
John Vickery (1906-1983), illustrator, designer and painter was the only Australian to be part of the New York School in 1960s which includes painters such as Jackson Pollock, Joan Mitchell and Willem de Kooning.
1 portrait in the collection
Andrew Mitchell Ramsay (1809-1869), clergyman, was Melbourne's first Presbyterian minister.
1 portrait in the collection
James Scobie (1860-1940), horse trainer, was born at Ararat, Victoria, and at age 20 he rode his first metropolitan jumping winner at Ballarat.
1 portrait in the collection
With contributions from Julia Gillard, Fiona Gruber, and Dr Karl James, the National Portrait Gallery’s 50th edition of Portrait has something for everyone.
Michael Meszaros has worked full-time as a sculptor for thirty years.
5 portraits in the collection
Johnstone, O’Shannessy & Co was founded in Melbourne in 1864 by Henry James Johnstone and a photographer known as ‘Miss O’Shaughnessy’, who had previously been in partnership with her mother in their own photographic business in Carlton.
12 portraits in the collection
Sandra Bruce explores a new acquisition that has within it a story of interconnectivities in the Australian art world.
Antoine Fauchery (1823–1861) was a Parisian artist and writer, an occasional collaborator with Henri Murger, author of Scènes de la vie de bohème which was a chief source of the opera La bohème.
2 portraits in the collection
John Firth-Smith (b. 1943) is a Sydney abstract painter. In the early 1960s he won a number of 'young artist' prizes for his paintings of yachts on Sydney Harbour, but by 1968 his work was becoming increasingly abstract, featuring large fields of opaque colour.
2 portraits in the collection
Edward Richards, photographer, has lived and worked in Canberra for most of his life.
1 portrait in the collection
John Noone, photographer and lithographer, began advertising the services of his ‘Photographic Establishment’ in the Melbourne Argus in September 1858, and worked from two separate addresses on Collins Street from this time until 1862.
1 portrait in the collection