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Krysia Kitch reviews black chronicles at the National Portrait Gallery, London.
Christopher Chapman takes a trip through the doors of perception, arriving at the junction of surrealism and psychoanalysis.
Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.
Joanna Gilmour discovers that the beards of the ill-fated explorers Burke and Wills were as epic as their expedition to traverse Australia from south to north.
Archie 100 curator (and detective) Natalie Wilson’s nationwide search for Archibald portraits unearthed the fascinating stories behind some long-lost treasures.
Despite once expressing a limited interest in the self portrait, the idea of it has figured strongly in much of Tracey Moffatt's work and has done so in some of her most distinctive and compelling images.
Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.
Alexandra Roginski gets a feel for phrenology’s fundamentals.
Rebecca Harkins-Cross considers Carol Jerrems’ portraiture against the backdrop of social change in the 1970s.
The London-born son of an American painter, Augustus Earle ended up in Australia by accident in January 1825.
Dr Sarah Engledow puts four gifts to the National Portrait Gallery’s Collection in context.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.