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Queen of cartes

Joanna Gilmour discusses the role of the carte de visite in portraiture’s democratisation, and its harnessing by Victoria, the world’s first media monarch.

The line of fire

Michelle Fracaro examines the life of World War II nurse Margaret Anderson, whose portrait by Napier Waller is in the NPG collection.

In the thick of it

Projecting the splendour of the empire, and the resolve of its subjects, the bust of William Birdwood keeps a stiff upper lip in the National Portrait Gallery.

The numbers man

Dr. Sarah Engledow tells the story of Australia's first Federal statistician, Sir George Knibbs.

Alternative virtue

Joanna Gilmour presents John Kay’s portraits of a more infamous side of Edinburgh.

Natural, artistic and unselfconscious

Angus Trumble gazes at the once bright star of photographer Ruth Hollick.

Australians in Hollywood

The exhibition Australians in Hollywood celebrated the achievements of Australians in the highly competitive American film industry.

The real Thea

Long after the portraitist became indifferent to her, and died, a beguiling portrait hung over its subject.

Bonfire of the vanities

Australian Galleries Director Stuart Purves tells the story of two portraits by John Brack.

Drawing power

The National Portrait Gallery joins the Big Draw, a program dedicated to promoting drawing as a tool for thought, creativity, social and cultural engagement.

Costantini's convictions

Jo Gilmour uncovers endearing authenticity in the art of a twice-transported Tasmanian.

The hands have it

Angus Trumble treats the gallery’s collection with a dab hand.

You, looking at me

Elspeth Pitt chats with Archibald Prize-winning artist Yvette Coppersmith about performance, coincidences and the intersection of art and life.

Shiny, happy people

Glynis Jones on the Powerhouse’s retrospective of one of Australia’s foremost fashion reportage and social photographers.

The bright-eyed Mariner

Hottie's Snifter to port

Peter Jeffrey trips the hound nostalgic.