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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Alexander Pearce
executed for murder
July 19th 1824

Public hanging

Magazine article by Michael Desmond, 2008

As a convict Thomas Bock was required to sketch executed murders for science; as a free man, fashionable society portraits.

Jacki Weaver

Jacki Weaver, 2018

by John Tsiavis
General content

Commissioned with funds provided by Marilyn Darling AC 2018

Self portrait with glove

To Look Within

Self Portraits in Australia
Previous exhibition, 2004

This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present

Jessie Street

First Ladies

Significant Australian Women 1913–2013
Previous exhibition, 2013

First Ladies profiles women who have achieved noteworthy firsts over the past 100 years.

Marilyn Darling AC

Support Crew

Magazine article by Dr Christopher Chapman, 2011

Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.

Tony Shaw

Tony Shaw, 2018

by Sarah Rhodes
General content

Commissioned with funds from the Patrick Corrigan Portrait Commission Series 2018

James Oswald Fairfax

The Fairfax Gift

Magazine article by Andrew Sayers AM, 2003

This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.

Johnny O'Keefe

Making Portraits

Five Years of National Portrait Gallery Commissions
Previous exhibition, 2004

The considered matching of artist to subject has produced an amazing collection of unique and original works in the permanent collection of the National Portrait Gallery

Self-portrait with bowler hat, 1885–6 by Paul Cézanne

Hail Cézanne

Magazine article by John Elderfield, 2017

John Elderfield lauds the portraiture of Paul Cézanne, the artist described by both Matisse and Picasso as ‘the father of us all’.

Moonboy, 2010

Observation point

Magazine article by Tim Storrier, 2013

Tim Storrier describes the influences on the development of his artistic style.

Thomas Woolner

The 1850s to the 1880s

Mo and beard timeline

The restrained and cultivated facial hair fashions evident through the first decades of the 1800s were on the wane by the middle of the century, when hirsute faces became mainstream.

James, Rebecca and Sam Mapu

Time and light

In Gallery Seven
Previous exhibition, 2023

This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.

Nicole Kidman, New York

Penn on paper

Magazine article by Michael Desmond, 2009

Michael Desmond discusses Irving Penn's photographic portrait of Nicole Kidman.

Portrait23: Identity logo

Announcing... Portrait23: Identity

15 November 2022
Archived media releases 2022

In this major new exhibition marking the National Portrait Gallery’s third decade, 23 Australian artists and collectives have been invited to create portraits without constraints or boundaries.

Tan Le

Tan Le, 2018

by John Tsiavis
General content

Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018

© National Portrait Gallery 2025
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency