Skip to main content

What's on

Prizes

Watch

The Gallery

Governance & Board

Circle of Friends

Learn

Access

Search the website

close close

What's on The Portraits The Gallery Learn Watch More O

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Search / william pidgeon

Portrait of a lady (Sonia McMahon)

Desperately seeking Sonia

Magazine article by Angus Trumble, 2015

Esther Erlich’s portrait of Lady McMahon.

Opening of the First Parliament of the Commonwealth of Australia by H.R.H. The Duke of Cornwall and York, May 9, 1901, 1903 by Tom Roberts

Empire records

Magazine article by Kylie Scroope, 2011

Celebrates the centenary of the first national art collection, the Historic Memorials Collection, housed at Australia's Parliament House.

A Goldfields Member

Showing character

Magazine article by Joanna Gilmour, 2016

Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.

Portrait of Professor Derek Freeman

Paper weight

Magazine article by Joanna Gilmour, 2022

Joanna Gilmour delves into a collection display that celebrates the immediacy and potency of drawing as an art form in its own right.

Dr Peter Farrell

Giving and getting

Magazine article by Michael Desmond, 2006

The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.

Edward Paine Butler

Poison pen

Magazine article by Michael Desmond, 2010

Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.

James Oswald Fairfax

The Fairfax Gift

Magazine article by Andrew Sayers AM, 2003

This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.

Portrait of Dame Elisabeth Murdoch

The spirit of the gift

Magazine article by Andrew Sayers AM, 2003

Former NPG Director, Andrew Sayers celebrates the support given to the Gallery by Gordon and Marilyn Darling.

George Barrington, c.1785

Celebrity cutpurse

Magazine article by Dr Grace Blakeley-Carroll, 2010

Grace Carroll discusses the portrait of the late-eighteenth century gentleman pickpocket George Barrington.

Moonboy, 2010

Observation point

Magazine article by Tim Storrier, 2013

Tim Storrier describes the influences on the development of his artistic style.

John Coburn

101 photographic portraits

Magazine article by Michelle Fracaro, 2004

Pat Corrigan's generous gift of 100 photographic portraits by Greg Weight.

Clifton Pugh painting in the studio

Painting mates

Magazine article by Michael Desmond, 2011

Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.

Francis Russell Nixon

Sketches and sermons

Magazine article by Jessica Smith, 2009

Jessica Smith looks at the 'fetching' portrait of Tasmania's first Anglican Bishop, Francis Russell Nixon by George Richmond

Caroline Amelia Elizabeth
of Brunswick, 1804

Around the grounds

Magazine article by Dr Anne Sanders, 2010

Anne Sanders writes about the exhibitions Victoria & Albert: Art & Love on display at the Queen's Gallery, Buckingham Palace and the retrospective of Sir Thomas Lawrence at the National Portrait Gallery, London.

Quentin Bryce

In bloom

Magazine article by Susi Muddiman, 2017

Susi Muddiman delights in Michael Zavros’ stunning portrait of the honourable Dame Quentin Bryce AD CVO.

Nose, 2008–10 by William Kentridge

A nose by any other name

Magazine article by Jane Kinsman, 2013

In the exhibition William Kentridge: Drawn from Africa at the National Gallery of Australia, the artist marries Gogol's Tsarist Russia, with that of Stalin and the damaging history of his homeland, South Africa.

© National Portrait Gallery 2025
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency