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Emanuel Solomon gave shelter to the Sisters of St Joseph upon the excommunication of St Mary MacKillop.
The exhibition California Video at the J Paul Getty Museum in Los Angeles demonstrated how video artists expand the boundaries of portraiture.
Jane Raffan investigates auction sales of self portraits nationally and internationally.
The story behind two colonial portraits; a lithograph of captain and convict John Knatchbull and newspaper illustration of Robert Lowe, Viscount Sherbrooke.
Joanna Gilmour recounts the story of ill-fated sea voyages in the early stages of the Antipodean colony.
Polly Borland talks to Oliver Giles about the celebrity portraits that made her name and why she’s now making more abstract art.
Professor Stephen Fitzgerald, Australia’s first Ambassador to China, traces the historical course from sino-australian cultural engagement to a maturing Australian identity.
Rebecca Ray delves into Simone Arnol’s powerful photographic tribute to her great-grandmother
Aviation carried women’s roles in society to greater heights – fashion followed suit.
Sarah Engledow bristles at the biographers’ neglect of Kitchener’s antipodean intervention.
Anne Sanders finds connections in Inner Worlds between Hungarian expatriates and the development of psychoanalysis in Australia.
George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.
Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.
Three tiny sketches of Dame Nellie Melba in the NPG collection were created by the artist who was to go on to paint the most imposing representation of the singer: Rupert Bunny.
The biographical exhibition of Barry Humphries was the first display of its kind at the National Portrait Gallery.