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This issue of Portrait Magazine features David Moore, Midnight Oil, Dr Joan Croll by John Brack, the acquisition of the Captain Cook portrait, and more.
Paul Cézanne, Bill Henson and Simone Young, Australian cinema’s iconic women, and feminist portraits by Kate Just.
This issue features the new National Portrait Gallery building, James Cook and John Banks, Cate Blanchett, Irina Baranova, Annette Kellerman, Shepard Fairey and more.
This issue features Claudia Karvan & Jimmy Pozarik, Agus Suwage & Contemporary Portraiture from Asia, Fred Williams, Zhong Chen, John Bell, The French Antipodes and more.
This issue features Kate Beynon, Philosopher Cynthia Freeland, Geoffrey Gurrumul Yunupingu, John Tsiavis & Chris Lilley, UK's BP Portrait Award, Purchasing power in colonial Sydney and more.
The exhibition Australians in Hollywood celebrated the achievements of Australians in the highly competitive American film industry.
Robert Oatley talks about the repatriation of the John Webber portrait of Captain James Cook.
Christopher Chapman profiles Chris Lilley, actor and creator of Angry Boys.
Jenny Gall delves into Starstruck to celebrate some of Australian cinema’s iconic women.
Giles Auty introduces British painter John Wonnacott who will talk at the National Portrait Gallery on 2 November 2002.
Penelope Grist speaks to Robert McFarlane about shooting for the stars.
In focussing on the importance of gifts in the building of the collection, prominence must be given to the most spectacular of the National Portrait Gallery's acquisitions; the portrait of Captain James Cook RN by John Webber R.A.
I wanted to be a journalist. I was very idealistic and I had a big chip on my shoulder. I wanted to investigate the human condition, drawing attention to those in need with the hope of someday effecting positive change.
Robert Oatley's continuing benefaction has helped the National Portrait Gallery acquire works that add another layer to the story of Captain Cook.
Dr Chistopher Chapman discusses the portrait of Australian author Christos Tsiolkas taken by John Tsiavis.
Sandra Bruce explores a new acquisition that has within it a story of interconnectivities in the Australian art world.