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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Edmund Jowett

Edmund Jowett

Edmund Jowett

Edmund Jowett, 1917

Portrait, pen and ink on paper

Collection: National Portrait Gallery
Purchased 2012

Robyn Archer

Robyn Archer AO

Robyn Archer AO (b. 1948), performer, writer and director, began singing at four years old.

3 portraits in the collection

Karen Gillan, 2010

Hot Scots

Magazine article by Christopher Baker, 2013

James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.

Steve Irwin

Steve Irwin

Steve Irwin

Steve Irwin, 2005

Portrait, inkjet print on paper

Collection: National Portrait Gallery
Gift of the artist 2006

Carol McGregor

Contributing artists

Born: 1961, Hastings, New Zealand
Works: Brisbane

Prince William of Wales, by Mario Testino, 2003 publ. September 2003.
Credit: Mario Testino

Vanity Fair Portraits

Photographs 1913-2008

Previous exhibition, 2009

Vanity Fair Portraits traces the birth and evolution of photographic portraiture through the archives of Vanity Fair magazine.

James, 2012 by Myles Nelson

Myles Nelson

Finalist interviews

It was definitely a candid encounter as was the expression on the face. It was constructed insofar as the image was deliberately taken from a distance so as to minimize intrusion and to magnify the effect of the image.

King Barak, last of the Yarra Tribe, 1899

Barak, respected elder

Magazine article by Dr Christopher Chapman, 2009

Dr Christopher Chapman looks at the life of Wurundjeri elder William Barak through the portrait painted by Victor de Pury in 1899.

Vanity Fair, April, 2004

International issue

Magazine article by Michael Desmond, 2009

Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008

The uncertain recovery, 2012 by Arianne McNaught

Arianne McNaught

Finalist interviews

I think the most important thing in capturing candid shots is to never take the photo when people are expecting you to press the shutter. The more poignant moments are not the stock standard images of people looking at the camera smiling but after or before when they are really interacting with each other.

The Chess Player, 2011 by Andrew Campbell

Andrew Campbell

NPPP 2012 learning resource

An interview with the photographer.

Steve Irwin

Crikey!

Magazine article by Dr Sarah Engledow, 2006

Robin Sellick captured a rare moment of quietude from the late conservation star Steve Irwin.

Portrait of Margaret Olley in her Paddington studio, 2011 by John McRae

John McRae

NPPP 2012 learning resource

An interview with the photographer.

Potters' Portrait Pot

Of human clay

Magazine article by Michael Desmond, 2009

The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.

Lady Barkly

A real Pratt

Magazine article by Dr Sarah Engledow, 2015

The death of a gentlewoman is shrouded in mystery, a well-liked governor finds love after sorrow, and two upright men become entangled in the historical record.

Martin Schoeller 2008

The God-shaped hole

Magazine article by Michael Desmond, 2010

Exploring the photographs of Martin Schoeller, Michael Desmond delves into the uneasy pact that exists between celebrity and the camera.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency