Emily Hilda Rix left Australia in March 1907, having trained for three years at the National Gallery School.
1 portrait in the collection
James Heath commenced an apprenticeship with an engraver named Joseph Collyer at the age of fourteen.
2 portraits in the collection
David Brooks, poet, literary critic and academic, studied in the early 1970s at the Australian National University, where he fell in with a group of Canberra writers including AD Hope, Rosemary Dobson, David Campbell and Judith Wright and co-founded Open Door Press with Alan Gould.
1 portrait in the collection
Leeanne Crisp was born in Adelaide, where she attended the SA School of Art and gained an advanced diploma from the Western Teacher's College in 1972.
2 portraits in the collection
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
April Thompson explores an exhibition of Ingvar Kenne’s global portrait project.
Emeritus Professor Derek Denton AC (b. 1924), was cited by the US National Academy of Sciences in 1995 as ‘the world’s leading authority on the regulation of salt and water metabolism and relevant endocrine control mechanisms’.
3 portraits in the collection
Collection: National Portrait Gallery
Purchased 2018
Commissioned with the assistance of funds provided by Janet Whiting AM, Philip Lukies and Antonia Syme 2016
Ross Edwards (b. 1943), composer, became determined upon a life of composition as a child.
1 portrait in the collection
Tom Fryer surveys the twentieth-century architectural project, and finds representation and the portrait were integral elements.
Krysia Kitch celebrates Oodgeroo Noonuccal.
Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.
Aviation carried women’s roles in society to greater heights – fashion followed suit.
National Portrait Gallery director Karen Quinlan AM nominates her quintet of favourites from the collection, with early twentieth-century ‘selfies’ filling the roster.
