Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.
Family affections are preserved in a fine selection of intimate portraits.
Penelope Grist finds inspiration in pioneering New Zealand artist, Frances Hodgkins.
Grace Carroll on the gendered world of the Wentworths.
An extract from the 2004 Nuala O'Flaaherty Memorial Lecture at the Queen Victoria Musuem and Art Gallery in Launceston in which Andrew Sayers reflects on the unique qualities of a portrait gallery.
Krysia Kitch reviews black chronicles at the National Portrait Gallery, London.
Christopher Chapman takes a trip through the doors of perception, arriving at the junction of surrealism and psychoanalysis.
Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.
Joanna Gilmour discovers that the beards of the ill-fated explorers Burke and Wills were as epic as their expedition to traverse Australia from south to north.
Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.
Robyn's parents had two terriers, Wuff and Snuff. In spite of Snuff’s ominous name and a couple of close shaves – once, he jumped out of a moving car, and another time, on a long road trip, he was accidentally left behind at a petrol station – he outlived Wuff.
Despite once expressing a limited interest in the self portrait, the idea of it has figured strongly in much of Tracey Moffatt's work and has done so in some of her most distinctive and compelling images.
Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.
Alexandra Roginski gets a feel for phrenology’s fundamentals.
The London-born son of an American painter, Augustus Earle ended up in Australia by accident in January 1825.
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