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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Portrait of Harriet Swan

Portrait of Harriet Swan

Portrait of Harriet Swan

Portrait of Harriet Swan, c. 1842

an unknown artist

Portrait, watercolour on ivory

Purchased with funds provided by L Gordon Darling AC CMG and Marilyn Darling AC 2013

Johnny O'Keefe

Making Portraits

Five Years of National Portrait Gallery Commissions

Previous exhibition, 2004

The considered matching of artist to subject has produced an amazing collection of unique and original works in the permanent collection of the National Portrait Gallery

Cormac and Callum, 2008 by Ingvar Kenne

National Photographic Portrait Prize 2009

Previous exhibition, 2009

In its second year at the National Portrait Gallery, and for the first time touring to other venues, the National Photographic Portrait Prize 2009 continues to present surprising perspectives on the nature of contemporary portrait photography.

TW Edgeworth David and Vilhjalmur Stefansson

TW Edgeworth David and Vilhjalmur Stefansson

TW Edgeworth David and Vilhjalmur Stefansson

TW Edgeworth David and Vilhjalmur Stefansson, 1924

Annie May Moore

Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Purchased 2010

Portrait of an Artist (Self portrait)

David Strachan

David Strachan (1919–1970), painter and printmaker, was educated at Geelong Grammar School and then studied art at the Slade School in London.

2 portraits in the collection

Thomas Gainsborough, c.1758-59 by Thomas Gainsborough

Keep it in the family

Magazine article by David Solkin, 2019

David Solkin ponders the provocations and inspirations of the enigmatic Thomas Gainsborough.

Portrait of an English Woman c. 1532-5 (detail)

A new perspective

Magazine article by Celina Fox, 2006

An exhibition devoted to Hans Holbein's English commissions shows the portraitist bringing across the Channel new technical developments in art - with a dazzling facility.

John Connell

John Connell

John Connell (c. 1759–1849), free settler, merchant and landowner, came to New South Wales aboard the Earl Cornwallis, which arrived in Sydney in June 1801.

1 portrait in the collection

Ned Kelly death mask

Sideshow Alley

Infamy, the macabre & the portrait

Previous exhibition, 2015

Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.

JK Rowling, 2005

Why do painted portraits still matter?

Magazine article by Sandy Nairne, 2006

Lecture by Sandy Nairne, Director, National Portrait Gallery, London, given at the National Portrait Gallery, Canberra on 28 April 2006.

Mrs Elizabeth Lewis

Elizabeth Lewis

Mortimer Lewis (1796–1879), surveyor and architect, and his wife Elizabeth (née Clements, c.

1 portrait in the collection

Mr Mortimer Lewis

Mortimer Lewis

Mortimer Lewis (1796–1879), surveyor and architect, and his wife Elizabeth (née Clements, c.

1 portrait in the collection

Margaret Robertson

Margaret Robertson

Margaret Robertson

Margaret Robertson, c. 1863

Batchelder & O'Neill

Portrait, albumen paper carte de visite

Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program

Hon Tom Hughes KC

Hon Tom Hughes KC

Hon Tom Hughes KC

Hon Tom Hughes KC, 2001

Portrait, oil on canvas

Commissioned with funds provided by Malcolm and Lucy Turnbull 2003

Bathing woman, Bridlington, c.1825 by John Dempsey

Allow me to introduce...

General content

These full-length figures in watercolour, gouache and pencil date mostly from the 1820s, and almost all come from the collection of the Tasmanian Museum and Art Gallery, Hobart.

Mary Ann Lawrence, 1841

Fits of delicacy and despair

Magazine article by Joanna Gilmour, 2009

Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.

© National Portrait Gallery 2022
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Canberra, ACT 2600, Australia
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Fax +61 2 6102 7001
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency