Sarah Engledow bristles at the biographers’ neglect of Kitchener’s antipodean intervention.
Christopher Chapman takes a trip through the doors of perception, arriving at the junction of surrealism and psychoanalysis.
Penelope Grist explores the United Nations stories in the Gallery’s collection.
Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.
John Zubrzycki lauds the characters of the Australian escapology trade.
Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.
Fiona aims to create a dangerous situation with a flood of water on the paper, forcing each work to the point where it can fail, and then rescuing it.
It’s a matter beyond dispute that in the entire history of Australian art, it’s Noel McKenna who’s painted the liveliest rendition of the head of a Chihuahua.
Tedi Bills talks to George Gittoes about canvassing conflict.
Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.
Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.
John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.
Angus Trumble reflects on the force of nature that was Helena Rubinstein.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.
Dr Anne Sanders NPG Curatorial Researcher investigated the lives of the pioneering psychologists whose portraits are featured in Inner Worlds.
Inner Worlds features the recently commissioned portrait of world-renowned philosopher of consciousness David Chalmers by Melbourne-based artist Nick Mourtzakis.
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