Jo Gilmour uncovers endearing authenticity in the art of a twice-transported Tasmanian.
The portrait of Dr. Johann Reinhold Forster and his son George Forster from 1780, is one of the oldest in the NPG's collection.
Dr. Sarah Engledow tells the story of Australia's first Federal statistician, Sir George Knibbs.
Australian character on the market by Jane Raffan.
Jane Raffan investigates auction sales of self portraits nationally and internationally.
Athol Shmith’s photographs contributed to the emergence of a new vision of Australian womanhood.
Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.
Joanna Gilmour discusses the role of the carte de visite in portraiture’s democratisation, and its harnessing by Victoria, the world’s first media monarch.
Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.
Lesley Harding, Curator, Heide Museum of Modern Art, Melbourne explores Albert Tucker’s experience of World War II, his interests in the intersection between psychology and creativity, and their influence on his portrait making.
Joanna Gilmour explores the life and times of convict-turned-artist William Buelow Gould.
Sarah Engledow bristles at the biographers’ neglect of Kitchener’s antipodean intervention.
Dr Christopher Chapman NPG Curator of Inner Worlds explains the development of an exhibition that spans from Surrealism to contemporary art.
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