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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Some women you may not know, 2022-2023 Alison Alder

Some women you may not know

‘Everybody’s lives are built by so many influences, and for me, it is writers, artists and activists who have influenced how I think about the world.’

What the tree saw: David Foster

What the tree saw: David Foster, 2018

by Jacqui Stockdale

General content

Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018

In the Lounge, 2006 by North Sullivan

Seduce, Amuse, Entertain

NPPP 2007 exhibition essay

General content

Michael Desmond, National Photographic Portrait Prize judge and curator, introduces the 2007 Prize.

The hunting lodge, 2007

Seduce Amuse Entertain

Magazine article by Michael Desmond, 2007

Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.

James, Rebecca and Sam Mapu

Time and light

In Gallery Seven

Previous exhibition, 2023

This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.

Ned Kelly death mask

Sideshow Alley

Infamy, the macabre & the portrait

Previous exhibition, 2015

Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.

Cover, first minute book of the Tasmanian Society of Natural History

Embrace your inner nerd

About Face article

The southern winter has arrived. For people in the northern hemisphere (the majority of humanity) the idea of snow and ice, freezing mist and fog in June, potentially continuing through to August and beyond, encapsulates the topsy-turvidom of our southern continent.

Self Portrait #5

William Yang

William Yang (b. 1943) is a pre-eminent Australian photographer known for an intensely sustained body of work that examines issues of cultural and sexual identity, and which unflinchingly documents the lives of his friends and community and his own lived experience with curiosity, sensitivity and humour.

15 portraits in the collection

Bod Polly Borland

In profile

Magazine article by Oliver Giles, 2023

Polly Borland talks to Oliver Giles about the celebrity portraits that made her name and why she’s now making more abstract art.

Graham Kennedy and the Seekers in Melbourne

Graham Kennedy and the Seekers in Melbourne

Graham Kennedy and the Seekers in Melbourne

Graham Kennedy and the Seekers in Melbourne, c. 1968

Robert Whitaker

Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Purchased 2007

Announcing.... In their own words

24 November 2020

Archived media releases 2020

Inspiring Australians tell their own stories in a unique new gallery audio tour, developed in collaboration with the National Library of Australia.

Nicole Kidman

Australians in Hollywood

Magazine article by Simon Elliott, 2003

The exhibition Australians in Hollywood celebrated the achievements of Australians in the highly competitive American film industry.

Portrait of Louis Claude de Saulces de Freycinet

Louis Claude de Saulces de Freycinet

Louis-Claude Desaulses de Freycinet (1779–1842), hydrographer and cartographer, sailed with Nicolas Baudin on the Expédition aux terres australes, a journey of discovery, commissioned by Napoléon, to the unknown southern coast of New Holland.

1 portrait in the collection

Nothing's as precious as a hole in the ground

Seduce and Destroy

Magazine article by Magda Keaney, 2001

Magda Keaney explores the symbolism in eX de Medici's portrait of Midnight Oil.

Frances Alda

Bewitching

Magazine article by Roger Neill, 2006

Roger Neill delves into the life of a lesser-known Australian diva, Frances Alda.

Margaret Whitlam

Glossy too

Magazine article by Christine Clark, 2005

The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency