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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Australian Aboriginal Cricketers

Australian Aboriginal Cricketers

Australian Aboriginal Cricketers

Australian Aboriginal Cricketers, 1867

Portrait, albumen silver photograph on original lithograph title sheet

Purchased with funds provided by L Gordon Darling AC CMG 2009

image not online

Mr Robert Oatley AO

Robert Oatley AO (1928–2016), businessman, was one of Australia’s most successful wine industry figures.

Ned Kelly death mask

Getting a head

Magazine article by Alexandra Roginski, 2015

Alexandra Roginski gets a feel for phrenology’s fundamentals.

image not online

Darby McCarthy OAM

Richard 'Darby' McCarthy OAM (1945–2020), former jockey who rode in three Melbourne Cups and won more than 1000 races, is a proud descendant of the Mithaka and Goongurri people of south-west and central Queensland.

1 portrait in the collection

"Just what is it that makes today's homes so different, so appealing?", 1956

Pop goes the preconception

Magazine article by Paul Moorhouse, 2007

A National Portrait Gallery, London exhibition redefines portraiture, shifting the focus towards a new perspective on Pop Art.

Angus Trumble with Portrait of Sir Joseph Banks by Thomas Phillips

Banksia and grevillea

About Face article

Portraits can render honour to remarkable men and women, but there are other ways.

Portrait of Captain James Cook RN

Robert Oatley AO

About Face article

The National Portrait Gallery mourns the loss of one our most generous benefactors, Robert Oatley AO.

Henry Wade

Henry Wade

Henry Wade (1810–1854), surveyor, was trained in surveying at Dublin College before being employed as a civilian assistant by the Royal Engineers Corps.

1 portrait in the collection

William Johnson (1873—1948) by Percy Leason

Recognition

Percy Leason's Aboriginal Portraits

Previous exhibition, 1999

Originally conceived as an anthropological record, Percy Leason’s powerful 1934 portraits of Victorian Aboriginal people are today considered to be a highlight of 20th century Australian portraiture

Losing Faith, 2004 by Alexandra Cody

Time is precious

Magazine article by David Sequeira, 2004

Headspace5: Crystal Gazing highlighted the diversity of materials and techniques that young people use for self expression. David Sequeira presents a personal view of three works in the exhibition.

Jessie Street

First Ladies

Significant Australian Women 1913–2013

Previous exhibition, 2013

First Ladies profiles women who have achieved noteworthy firsts over the past 100 years.

David Stratton, 2012
by Sharon Zwi

Sharon Zwi

Finalist interviews

We were in Gaza shooting a documentary and we had heard about the orphanages and wanted to visit and document some of the children who had lost parents during the wars in Gaza.

Hugo at home (Hugo Weaving)

Nicholas Harding

Previous exhibition, 2017

Nicholas Harding: 28 portraits features paintings of Robert Drewe, John Bell and Hugo Weaving alongside gorgeously coloured recent oil portraits, delicate gouaches and bold ink and charcoal drawings.

Andy Thomas

Uncommon Australians

The vision of Gordon and Marilyn Darling

Previous exhibition, 2015

This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.

Cormac and Callum, 2008 by Ingvar Kenne

National Photographic Portrait Prize 2009

Previous exhibition, 2009

In its second year at the National Portrait Gallery, and for the first time touring to other venues, the National Photographic Portrait Prize 2009 continues to present surprising perspectives on the nature of contemporary portrait photography.

Pierre de Rigaud de Vaudreuil de Cavagnial, Marquis de Vaudreuil, ca.1753-55

Canadian identities

Magazine article by Lilly Koltun, 2004

An exploration of national identity in the Canadian context drawn from the symposium Face to Face at the Scottish National Portrait Gallery in 2004.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency