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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Study of Louis Nowra

Study of Louis Nowra, 2018

by Imants Tillers
General content

Commissioned with funds provided by Tim Bednall, Jillian Broadbent AO, John Kaldor AO and Naomi Milgrom AO 2018

Chris Wallace-Crabbe

2014-15 Supporters

Annual Appeal 2020

Kristin Headlam's portrait of Chris Wallace-Crabbe was acquired with the support of the Circle of Friends in 2014.

Untitled #21/09 (after Ricci, 1700; featuring Matthew Mitcham)

Getting bare

Magazine article by Penelope Grist, 2015

How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.

Study of Louis Nowra
Study of Louis Nowra
Study of Louis Nowra

Study of Louis Nowra, 2018

Imants Tillers
Portrait, synthetic polymer paint, gouache on 64 canvas boards (nos. 108101-108164)

Collection: National Portrait Gallery
Commissioned with funds provided by Tim Bednall, Jillian Broadbent AC, John Kaldor AO and Naomi Milgrom AO 2018

image not online

Annual Appeal

Listed by year
Honour board
Peter Garrett by Karin Catt

Famous

Karin Catt Portraits
Previous exhibition, 2006

Australian photographer Karin Catt has photographed world leaders, a host of rock stars and Oscar-winning compatriots Russell Crowe, Nicole Kidman, and Cate Blanchett.

Vanity Fair, April, 2004

International issue

Magazine article by Michael Desmond, 2009

Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008

Milton Glaser Art is Work

Portraits and other stories

Magazine article by Christine Clark, 2006

As the National Portrait Gallery opens its exhibition of portrait and figurative work by veteran photographer Sam Haskins, the artist reflects on the highlights of his fifty-year career so far.

The Bathers, 1989

Hall of Mirrors

Anne Zahalka Portraits 1987-2007
Previous exhibition, 2007

Hall of Mirrors: Anne Zahalka Portraits 1987-2007 explores the thread of portraiture through the artist's prolific career, now spanning more than 20 years.

Writing on the Wall, 2019 Dr Christian Thompson AO

To arrive at hope

NPPP 2020 exhibition essay
General content

Penelope Grist, National Photographic Portrait Prize judge and curator, introduces the 2020 Prize.

Baz Luhrmann

Glossy 2

Faces, Magazines, Now
Previous exhibition, 2005

Following the success of Glossy: Faces, Magazines, Now in 1999 the National Portrait Gallery again highlights the huge array of contemporary portraiture in the pages of magazines.

Portrait of Professor Graeme Clark

Portraits for Posterity

Previous exhibition, 2006

Drawn from some of the many donations made to the Gallery's collection, the exhibition Portraits for Posterity pays homage both to the remarkable (and varied) group of Australians who are portrayed in the portraits and the generosity of the many donors who have presented them to the Gallery.

Elizabeth

The National Portrait Prizes

29 January 2020
Media

The National Portrait Gallery today announced finalists for the inaugural Darling Portrait Prize, a national new $75,000 prize for Australian portrait painting, and released selected images from the final prize pool for the popular National Photography Portrait Prize.

The mahi-mahi, 2019 Rob Palmer

National Photographic Portrait Prize 2020

Previous exhibition, 2020

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Dave Graney

Naked nostalgia

Magazine article by Penelope Grist, 2016

Penelope Grist reminisces about the halcyon days of a print icon, before the infusion of the internet’s shades of grey.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The National Portrait Gallery is an Australian Government Agency