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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Arthur Boyd's studio

Boyd to man

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman looks at influences and insight in the formative years of Arthur Boyd.

Catholic clergymen from the Diocese of Adelaide

Catholic clergymen from the Diocese of Adelaide

Catholic clergymen from the Diocese of Adelaide

Catholic clergymen from the Diocese of Adelaide, c. 1862

Stephen Edward Nixon

Portrait, carte de visite photograph

Purchased 2018

Gail Kelly

Gail Kelly, 2018

General content

Commissioned with funds provided by Westpac Group and Optus 2018

Andrew Gaze

Andrew Gaze, 2018

by George Fetting

General content

Commissioned with funds provided by Trent Birkett 2018

Skyhooks (Red Symons, Bob Starkie, Shirley Strachan, Greg Macainsh, Freddie Strauks) in Parker’s studio, Fitzroy, 1975 David Parker

Cool cool world

Magazine article by Penelope Grist, 2022

Penelope Grist unpacks photographs by David Parker, who captured the phenomenal emergence of the 1970s and 80s Melbourne music scene.

Sir Joseph Banks

In a good paddock

Magazine article by Dr Sarah Engledow, 2011

Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.

Portrait of Ambrose Patterson

Velasquez Touch

Magazine article by Andrew Sayers AM, 2004

Former NPG Director, Andrew Sayers, explores the creative collaborations between four Australian artists living in Paris during the first years of the twentieth century.

What the tree saw: David Foster

What the tree saw: David Foster, 2018

by Jacqui Stockdale

General content

Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018

Herb and Flan

Richard Flanagan

Richard Flanagan (b. 1961) was born in Longford in northern Tasmania, the second youngest of the six children of Archie Flanagan, a primary school principal, and his wife Helen.

1 portrait in the collection

spaces between movement and stillness

Harriet Schwarzrock: spaces between movement and stillness

10 February 2021

Archived media releases 2021

To celebrate the new exhibition Australian Love Stories, renowned Australian glass artist Harriet Schwarzrock has been commissioned to make a large-scale installation reflecting on the role the heart plays as our emotional centre.

Woman with Fair Hair and Pink Cardigan, 1949 by John Perceval.

The family scene

Magazine article, 2016

Traudi Allen discovers sensitivity, humour and fine draughtsmanship in the portraiture of John Perceval.

Angkor Wat

Angkor Wat

About Face article

Nothing quite prepares the first-time visitor to Cambodia for the scale and grandeur of the monuments of the ancient Khmer civilisation of Angkor.

Lola Montes

You beauty

Magazine article by Joanna Gilmour, 2010

Joanna Gilmour explores the fact and fictions surrounding the legendary life of Irish-born dancer Lola Montez.

Themes and variations (Annelies) A13, 1946

Listening to form

Magazine article by Jane Kinsman, 2007

National Gallery of Australia curator Jane Kinsman discusses the portraiture of Henri Matisse.

David Marr, 2011 by Nicholas Harding

Nicholas Harding: 28 Portraits

Exhibition essay

General content

Sarah Engledow looks at three decades of Nicholas Harding's portraiture.

Hans Heinrich Thyssen-Bornemisza and David R. L. Litchfield at Villa Favorita, Lugano, Switzerland, 1989 © Nicola Graydo

The Thyssen Art Macabre

About Face article

Books seldom make me angry but this one did. At first, I was powerfully struck by the uncanny parallels that existed between the Mellons of Pittsburgh and the Thyssens of the Ruhr through the same period, essentially the last quarter of the nineteenth century.

© National Portrait Gallery 2023
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency