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Anna Culliton

Anna Culliton never had a colouring-in book when she was little. Her parents –Tony, a filmmaker, and Stephanie, a painter – wouldn’t let her have one. Instead, they insisted on her drawing her own pictures to colour-in. 

Giving and getting

The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.

Portrait Donors

Drawing inspiration

Christopher Chapman absorbs the gentle touch of Don Bachardy’s portraiture.

Exhibition opening speech

Leo Schofield introduces the exhibition, Masters of fare: chefs, winemakers, providores.

Conflicting images

Michael Desmond reveals the origins of composite portraits and their evolution in the pursuit of the ideal.

Moving pictures

The exhibition California Video at the J Paul Getty Museum in Los Angeles demonstrated how video artists expand the boundaries of portraiture.

Generous Janice

Dr Sarah Engledow puts four gifts to the National Portrait Gallery’s Collection in context.

Pop poet

Dr Anne Sanders previews the works in the new focus exhibition Paul Kelly and The Portraits.

No Laughing Matter

The biographical exhibition of Barry Humphries was the first display of its kind at the National Portrait Gallery.

Friends and Acquaintances

Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.

Flash mob

Sarah Engledow trains her exacting lens on the nine photographs from 20/20.

Rick Amor: 21 Portraits

Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.

Some prime ministers

Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.