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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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James Oswald Fairfax

The Fairfax Gift

Magazine article by Andrew Sayers AM, 2003

This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.

Arcadia: Sound of the sea

Exhibition introduction

General content

One night in the spring of 1970 in an old house in Whale Beach, north of Sydney, John Witzig, Albe Falzon and David Elfick put together the first issue of Tracks, playing Neil Young’s album Harvest over and over again as they pasted up galleys of type.

William Bligh

William Bligh

About Face article

The life of William Bligh offers up a handful of the most remarkable episodes in the history of Britain’s eighteenth and early nineteenth-century maritime empire.

image not online

Arnold Shore

Arnold Shore, a lifelong inhabitant of Melbourne, was apprenticed to a stained glass and leadlight company called Brooks, Robinson soon after leaving school at the age of twelve.

2 portraits in the collection

William Henry Harvey

William Henry Harvey

William Henry Harvey (1811-1866), botanist, formed a boyhood passion for natural history which was encouraged at Ballitore School, County Kildare.

1 portrait in the collection

Martha Mary Robertson

Martha Mary Robertson

Martha Mary Robertson

Martha Mary Robertson, 1866

Johnstone O'Shannessy & Co

Portrait, albumen photograph on carte de visite

Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program

Professor Peter Doherty

A Meeting of Great Minds

Magazine article by Simon Elliott, 2002

The story behind Rick Amor's portrait of Professor Peter Doherty.

Self Portrait, 1963–64

What price self?

Magazine article by Jane Raffan, 2013

Jane Raffan investigates auction sales of self portraits nationally and internationally.

Untitled, Conductors, Tramways series, 1990 © Matt Nettheim

Back track

About Face article

Penelope Grist finds photographer Matt Nettheim re-visiting a formative and fulfilling career tram stop.

George and Jemima Billet with family

George Bellette

George Billett (also Bellett, Bellette and Billet, 1812–1885) was a farmer and landowner, an early settler of Sorell in Tasmania, and the son of two ex-convicts.

1 portrait in the collection

George Barrington, c.1785

Celebrity cutpurse

Magazine article by Dr Grace Blakeley-Carroll, 2010

Grace Carroll discusses the portrait of the late-eighteenth century gentleman pickpocket George Barrington.

Jack Brabham

Start Your Engines...

Magazine article by Catherine McDonough, 2006

The bronze sculpture by Julie Edgar reflects through both the material and representation the determined and straight-forward nature of Brabham.

David Williamson

The Story So Far...

Magazine article by Simon Elliott, 2002

A reflection on the National Portrait Gallery's first four years.

Professor Peter Doherty

Friends and Acquaintances

Magazine article by Dr Sarah Engledow, 2005

Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.

Chevalier d’Eon, 1792

All dressed up

Magazine article by Jane Raffan, 2013

Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?

Kinky Night. Impressions Club, 1987

Aussies all

Magazine article by Simon Elliott, 2006

The exhibition Aussies all features the ecclectic portrait photography of Rennie Ellis which captures Australian life during the 70s and 80s.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency