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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Nannultera, a young cricketer of the Natives' Training Institution, Poonindie , 1854 John Michael Crossland

The catechist and the cricketer

Magazine article by Stephen Valambras Graham, 2021

Stephen Valambras Graham traverses the intriguing socio-political terrain behind two iconic First Nations portraits of the 1850s.

Helena Rubinstein in a red brocade Balenciaga gown

Study in scarlet

Magazine article by Angus Trumble, 2018

Angus Trumble reflects on the force of nature that was Helena Rubinstein.

Ron Grainer

Dr Who?

Magazine article by Simon Elliott, 2002

It is not well known that the person who composed the famous theme music for the BBC's Doctor Who series was Australian Ron Grainer.

Portrait of Professor Graeme Clark

Inspiration + Realisation: Peter Wegner

Magazine article by Katherine Russell, 2006

Peter Wegner's approach to portraiture could be considered a visual record of the rapport, the dynamic space between artist and subject.

Portait 65

Portrait 65

Autumn/Winter 2021

Hugh Ramsay, the fashion of Jenny Kee and Linda Jackson, Peter Wegner's centenarian series, John and Elizabeth Gould's family connections, Karen Quinlan's top five portraits and more.

Unheroic Materialism: little harmless fragments of memory and association: a portrait of Angus Trumble, 2019 Evert Ploeg

The last word

Magazine article by Dr David Hansen, 2022

David Hansen’s tribute to his close friend, prince of words and former National Portrait Gallery director, the late Angus Trumble.

Lowitja O'Donoghue

Anatomist's eye

Magazine article by Diana Warnes, 2016

Robert Hannaford has completed around 400 portraits over the span of his career.

Staffordshire bull terrier belonging to the Rev. John Gower, 1851

Essential portraiture

Magazine article by Michael Desmond, 2011

Michael Desmond in conversation with University of Houston professor of philosophy Cynthia Freeland.

Self portrait

Small worlds

Magazine article by Joanna Gilmour, 2010

Bess Norriss Tait created miniature watercolour portraits full of character and life.

Some lads #1

In Profile

Magazine article by Daniel Browning, 2025

Daniel Browning delves into Tracey Moffatt’s Some lads series, recently acquired in full by the National Portrait Gallery.

Robert, Lindy, Grant

Face the music

Magazine article by Christine Clark, 2005

Drawn from the Gallery's collection, the exhibition Face the Music explores the remarkable talents and achievements of Australian musicians, composers, conductors and celebrities associated with the music industry.

The Window Seat, 1907 by Frances Hodgkins

Kiwi magpie

Magazine article by Penelope Grist, 2018

Penelope Grist finds inspiration in pioneering New Zealand artist, Frances Hodgkins.

Andrew Sachs (‘Manuel’)

Star signs

Magazine article by Barry York, 2018

Barry York charts the course from childhood request to autographed celebrity portrait anthology.

Geoffrey Graham

The mind's eye

Magazine article by Dr Christopher Chapman, 2017

Christopher Chapman takes a trip through the doors of perception, arriving at the junction of surrealism and psychoanalysis.

I’ll miss you copying things, 2018 Joan Ross

When birds no longer sing

Magazine article by Dr Emma Kindred, 2024

Emma Kindred looks at the career of Joan Ross, whose work subverts colonial imagery and its legacy with the clash of fluorescent yellow.

Victor Trumper

Top shot that

Magazine article by Gideon Haigh, 2009

Gideon Haigh discusses portraits of Australian cricketers from the early 20th century

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency