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Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period.
An annual event to extend traditional notions of portraiture and foster emerging artists with an interest in new technology.
Encompassing the 1820s to the 2020s, Time and Line showcases the depth and extent of our drawing collection.
The National Photographic Portrait Prize exhibition is selected from a national field of entries that reflect the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
Influential Indigenous Australian artist Michael Riley (1960 - 2004) created these portrait photographs between 1984 and 1990 - they stand as an intricately connected group portrait of the vibrant urban-based Indigenous arts community in Sydney's inner-west at a formative moment.
The exhibition will feature some of the most significant portraits in the artist’s career to date, from early major works such as his painting of HM Queen Mary of Denmark through to his most recent.
Dempsey’s people: a folio of British street portraits 1824–1844 is the first exhibition to showcase the compelling watercolour images of English street people made by the itinerant English painter John Dempsey throughout the first half of the nineteenth century.
Australian photographer Rod McNicol has consistently analysed the passing of time through the evidence of the photographic portrait. At once confronting and tender, McNicol’s portrait photographs are bold and intimate.
Impressions: Painting light and life presents portraits by, and of, artists at the heart of Australian impressionism including Tom Roberts, Arthur Streeton and Frederick McCubbin.
Reconnect and reflect with our new major exhibition, Australian Love Stories (in real life!) as we explore love, affection and connection in all its guises.
This exhibition focuses on exploring national and communal identity through sculptural production in Australia, from the early decades of settlement through to the present day
As a tribute to Sir William Dargie's singular contribution to Australian art and cultural institutions, and on the occasion of his birthday, The Australian War Memorial, Parliament House and the National Portrait Gallery will mount exhibitions of his work between May and October
This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.
The artist's diary profiles six decades of Cassab's work, from the early portrait commissions of the 1950s to later paintings that have helped confirm her eminent place in the canon of Australian portraiture.
This exhibition traces the creative output of nearly 50 years by one of Australia's landmark living photographers.
Hall of Mirrors: Anne Zahalka Portraits 1987-2007 explores the thread of portraiture through the artist's prolific career, now spanning more than 20 years.
The World of Thea Proctor is the Portrait Gallery's second major biographical exhibition - that is, the second exhibition to focus exclusively on the life and work of a single individual
This is the first major exhibition to examine photographic portraiture in Australia, from its beginnings in the early 1840s to the present day
'I have just been to my dressing case to take a peep at you.
For Tom Roberts - Australia's best nineteenth-century portrait painter - neither a proto-national portrait gallery nor more popular collections of portrait heads, were sufficient public celebrations for the notables of Australian history
Originally conceived as an anthropological record, Percy Leason’s powerful 1934 portraits of Victorian Aboriginal people are today considered to be a highlight of 20th century Australian portraiture
Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.
First Ladies profiles women who have achieved noteworthy firsts over the past 100 years.
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
In its second year at the National Portrait Gallery, and for the first time touring to other venues, the National Photographic Portrait Prize 2009 continues to present surprising perspectives on the nature of contemporary portrait photography.
The exhibition will include works of art from the NPG Canberra's permanent collection with some inward loans and aims to highlight the achievements of notable Australians.
Following the success of Glossy: Faces, Magazines, Now in 1999 the National Portrait Gallery again highlights the huge array of contemporary portraiture in the pages of magazines.
The Australian of the Year Awards have often provoked controversy about who is selected and whether their achievements are remarkable.
Masters of fare: chefs, winemakers, providores celebrates men and women who have championed the unique culinary characteristics and produce of Australia, enriching our lives with new ideas and new flavours over the past forty years.
Seventeen of Australia’s thirty prime ministers to date are represented in the contrasting sizes, moods and mediums of these portraits.
This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.
This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present