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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Ursula Hoff
Ursula Hoff
Ursula Hoff

Ursula Hoff, 1994

Francis Reiss
Portrait, gelatin silver photograph on paper

Purchased 2004

Rayner Hoff
Rayner Hoff
Rayner Hoff

Rayner Hoff, 1924

Harold Cazneaux
Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Gift of Richard King 2008
Donated through the Australian Government's Cultural Gifts Program

Alfred Hill
Alfred Hill
Alfred Hill

Alfred Hill, 1936

Rayner Hoff
Portrait, cast plaster, patinated on wooden base

Collection: National Portrait Gallery
Purchased 2000

The Hoff

The Hoff

Moustaches

The image of a hairy swag-wielding bushman might be one popularly associated with Australia in the late nineteenth century.

Self portrait 1955

Portrait of the artist as a young man

Magazine article by Dr Sarah Engledow, 2010

Dr Sarah Engledow explores the early life and career of John Brack.

Self portrait
Self portrait
Self portrait

Self portrait, c. 1948

John Brack
Portrait, conté crayon on paper

Collection: National Portrait Gallery
Purchased with funds provided by Tim Fairfax AC 2010

Captain Ulm
Captain Ulm
Captain Ulm

Captain Ulm, 1932

Enid Fleming
Portrait, cast plaster, patinated

Collection: National Portrait Gallery
Gift of the Sydney Airports Corporation 2001

Sir Charles Kingsford Smith
Sir Charles Kingsford Smith
Sir Charles Kingsford Smith

Sir Charles Kingsford Smith, 1932

Enid Fleming
Portrait, cast plaster, patinated

Collection: National Portrait Gallery
Gift of the Sydney Airports Corporation 2001

Sidney Myer

Four from the 30s

Magazine article by Andrew Sayers AM, 2003

Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.

Decorative portrait – Len Lye, c.1925 by Rayner Hoff (1894-1937)

Presence and Absence

Portrait Sculpture in Australia
Previous exhibition, 2003

This exhibition focuses on exploring national and communal identity through sculptural production in Australia, from the early decades of settlement through to the present day

Self portrait in plus fours
Self portrait in plus fours
Self portrait in plus fours

Self portrait in plus fours, c. 1939 (cast 2003)

Lyndon Dadswell CMG
Portrait, cast bronze

Purchased 2004

© National Portrait Gallery 2021
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency