Joanna Gilmour explores the life and art of the Australian artist Janet Dawson.
Sam Bowker examines Paula Dawson's Mirror, Mirror - a holographic portrait of Graeme Murphy.
This issue features convict portraitists, Janet Dawson, Paul Grabowsky, Nam Le, the Present Tense exhibition and more.
John Elliott talks about his photographic portrait practice, including his iconic image of Slim Dusty arm-in-arm with Dame Edna Everage.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
The National Portrait Gallery acquired the self-portrait by Grace Cossington Smith in 2003.
Andrew Sayers explores the self-portraits created by Australian artist Sidney Nolan.
Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.
Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.
Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.
The portrait of Janet and Horace Keats with the spirit of the poet Christopher Brennan is brought to life by artist Dora Toovey.
How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.
Joanna Gilmour explores photographic depictions of Aboriginal sportsmen including Lionel Rose, Dave Sands, Jerry Jerome and Douglas Nicholls.
A design diary retrospective.
Pamela Gerrish Nunn explores New Zealand’s premium award for portraiture.
Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.
