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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Search / mortimer lewis

Mr Mortimer Lewis

Little treasures

Magazine article by Dr Sarah Engledow, 2002

The acquisition of the ivory miniatures of Mortimer and Mrs Lewis.

Bee Miles

Good, bad and the ugly

Magazine article by Michael Desmond, 2007

Michael Desmond explores what makes a portrait subject significant.

Lewis Morley

Myself and Eye

Magazine article by Magda Keaney, 2003

Magda Keaney speaks with Lewis Morley about his photographic career and the major retrospective of his work on display at the NPG.

Portrait 7

March - May 2003

This issue of Portrait Magazine features Grace Cossington Smith, the Fairfax portrait gift and Lewis Morley's photographs.

Ron Grainer

Dr Who?

Magazine article by Simon Elliott, 2002

It is not well known that the person who composed the famous theme music for the BBC's Doctor Who series was Australian Ron Grainer.

Chance meeting, 1940-41 by Martin Lewis

Nocturnal animals

Magazine article by Joanna Gilmour, 2017

Joanna Gilmour explores the enticing urban shadows cast by artists Martin Lewis and Edward Hopper.

Blue Mountain, Owner, Trainer, Jockey, James Scobie

Sure thing

Magazine article by Michael Desmond, 2009

Blue Mountain, Owner, Trainer, Jockey, James Scobie 1887 by Frederick Woodhouse Snr. is a portrait of James Scobie, well known jockey and eminent horse trainer.

Portrait of Florence Broadhurst

Be bold

Magazine article by Katherine Russell, 2007

The name of Florence Broadhurst, one of Australia’s most significant wallpaper and textile designers, is now firmly cemented in the canon of Australian art and design.

Statesmen, No. 4

Meeting by Murder

Magazine article by Yvonne Audette AM, 2005

The story behind two colonial portraits; a lithograph of captain and convict John Knatchbull and newspaper illustration of Robert Lowe, Viscount Sherbrooke.

Self portrait

Profile of a marriage

Magazine article by Dr Sarah Engledow, 2006

Dr Sarah Engledow explores the lives of Sir George Grey and his wife Eliza, the subjects of a pair of wax medallions in the National Portrait Gallery's collection.

Ma Khin Mar Mar Kyi

My Favourite Australian

Magazine article by Christine Clark, 2009

The Australian public was invited in 2008 to vote for their favourite Australian. After the votes were tallied an exhibition of the top-ten Popular Australians and the top-twenty unsung heroes was displayed at the National Portrait Gallery.

The National Portrait Gallery

In the galleries

Magazine article by Dr Christopher Chapman, 2009

Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.

David Williamson

The Story So Far...

Magazine article by Simon Elliott, 2002

A reflection on the National Portrait Gallery's first four years.

Mirror Mirror: Graeme Murphy

Reflections on a Hologram

Magazine article by Sam Bowker, 2005

Sam Bowker examines Paula Dawson's Mirror, Mirror - a holographic portrait of Graeme Murphy.

Murray frees himself from straightjacket in public, 1928 by Sam Hood

Risky business

Magazine article by John Zubrzycki, 2016

John Zubrzycki lauds the characters of the Australian escapology trade.

Sir Lawrence Wackett

Starry knight

Magazine article by Dr Sarah Engledow, 2010

Aircraft designer, pilot and entrepreneur, Sir Lawrence Wackett rejoins friends and colleagues on the walls of the National Portrait Gallery.

© National Portrait Gallery 2025
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency