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Former NPG Director Andrew Sayers discusses the art of commissioning portraits.
A reflection on the National Portrait Gallery's first four years.
Gallery directors Karen Quinlan and Tony Ellwood talk to Penelope Grist about the NPG and NGV collaborative exhibition, Who Are You: Australian Portraiture.
Alistair McGhie writes about the portraits of three of Australia's top professional cyclists: Cadel Evans, Stuart O'Grady and Robbie McEwen painted by Matthys Gerber.
Drawn from the Gallery's collection, the exhibition Face the Music explores the remarkable talents and achievements of Australian musicians, composers, conductors and celebrities associated with the music industry.
A new painting by Jiawei Shen captures the vision and resolve of the Gallery's founder, L. Gordon Darling AC CMG.
Scott Redford discusses his dynamic portrait commission of motorcycling champion and 2008 Young Australian of the Year Casey Stoner.
Ron Ramsey, former Director of Cultural Relations at the Embassy of Australia interviewed NPG Washington Director, Marc Pachter, about their building renovations.
Polly Borland talks to Oliver Giles about the celebrity portraits that made her name and why she’s now making more abstract art.
In focussing on the importance of gifts in the building of the collection, prominence must be given to the most spectacular of the National Portrait Gallery's acquisitions; the portrait of Captain James Cook RN by John Webber R.A.
Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.
Robert Oatley talks about the repatriation of the John Webber portrait of Captain James Cook.
Nancy Wake AC (b. 1912), one of the most decorated women of World War 2, earned the name the 'White Mouse' for her maddening ability to evade the Gestapo.
Robin Sellick captured a rare moment of quietude from the late conservation star Steve Irwin.
Michael Desmond profiles the Australian songwriter and performer Neil Murray and his contribution to Australian music.
Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.