Andrew Sayers asks whether a portrait can truly be the examination of a life.
Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.
Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.
This issue of Portrait Magazine feature Lucian Frued, John Witzig, colonial death portraits, William Kinghorne, Henry Crock, and more.
In 2006 the National Portrait Gallery acquired a splendid portrait of Victoria's first governor, Lieutenant Governor Charles Joseph La Trobe by Thomas Woolner.
Celebrates the centenary of the first national art collection, the Historic Memorials Collection, housed at Australia's Parliament House.
An exhibition devoted to Hans Holbein's English commissions shows the portraitist bringing across the Channel new technical developments in art - with a dazzling facility.
In March 2003 Magda Keaney travelled to London to join the photography section of the Victoria & Albert Museum for three months.
Family affections are preserved in a fine selection of intimate portraits.
The story behind two colonial portraits; a lithograph of captain and convict John Knatchbull and newspaper illustration of Robert Lowe, Viscount Sherbrooke.
Alison Weir explores the National Portrait Gallery, London and the BP Portrait Award to find what makes a good painted portrait - past and present.
Angus Trumble reveals the complex technical mastery behind a striking recent acquisition, Henry Bone’s enamel portrait of William Manning.
Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’.
Carrie Kibbler looks at how portraiture fits into the Australian Artbank Collection.
Andrew Sayers discusses the portrait of Dr Joan Croll AO by the Australian artist John Brack.
