Michael Desmond explores the complex portrait of Dr Bob Brown by Harold 'The Kangaroo' Thornton.
As Bryan Westwood’s portrait of Brian Dunlop hangs adjacent to Brian Dunlop’s portrait of the philanthropist Dr Joseph Brown AO OBE, we see the artist of one work as the subject of the other.
A new painting by Jiawei Shen captures the vision and resolve of the Gallery's founder, L. Gordon Darling AC CMG.
This issue feature articles on Andrew Sayers, Gordon Darling, our summer exhibition Sideshow Alley and more.
This issue features Australian cricketers, surfing legend Isabel Letham, Christos Tsiolkas, Bob Brown's portrait by Harold 'The Kangaroo' Thornton, James Angus, virtual portraits and more.
Former NPG Director, Andrew Sayers celebrates the support given to the Gallery by Gordon and Marilyn Darling.
Olegas Truchanas and Peter Dombrovskis, photographers and conservationists, shared a love of photography and exploring wilderness areas of Tasmania.
Michael Kimmelman, Chief Art Critic of The New York Times and author of Portraits: Talking with Artists at the Met, the Modern, the Louvre and Elsewhere, presented the National Portrait Gallery Third Anniversary Lecture on 2 March 2002. He was generously brought to Australia by the Gordon Darling Foundation and Qantas.
The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.
Jessica Smith looks at the 'fetching' portrait of Tasmania's first Anglican Bishop, Francis Russell Nixon by George Richmond
Robert Oatley talks about the repatriation of the John Webber portrait of Captain James Cook.
I think the truest representation of someone is a portrait.
Jaynie Anderson reflects on her experience as sitter for Reshid Bey’s 1962 portrait.
In February 2003 the National Portrait Gallery Circle of Friends brought Sir Robert Strong to Australia to present a series of lectures entitled The Artists & The Banquet- A History of Dining, which focused on the links between gardens and table decoration from the Renaissance to the Victorian Era.
A design diary retrospective.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
