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Lee Tulloch remembers her great friend NIDA-trained actor turned photographer Stuart Campbell.
Alistair McGhie writes about the portraits of three of Australia's top professional cyclists: Cadel Evans, Stuart O'Grady and Robbie McEwen painted by Matthys Gerber.
Australian Galleries Director Stuart Purves tells the story of two portraits by John Brack.
This issue features the National Photographic Portrait Prize, Neil Murray, Lee Tulloch on Stuart Campbell, Joseph Banks, Scott Redford and more.
This issue of Portrait Magazine features the inaugural hang of the new National Portrait Gallery, Cadel Evans, Stuart O'Grady, Robbie McEwen, Casey Stoner, Bruce Petty and more.
Spanning 30 years, these portraits capture a life in music. Violinist, conductor and composer Richard Tognetti AO is Artistic Director of the Australian Chamber Orchestra.
Australia's former Cultural Attache to the USA, Ron Ramsey, describes the mood at the opening week of the revitalised American National Portrait Gallery.
Joanna Gilmour explores the stories behind the ninteenth-century carte de visites of bushrangers Frank Gardiner and Fred Lowry.
Joanna Gilmour examines the prolific output of Charles Balthazar Julien Févret de Saint-Mémin, and discovers the risk of taking a portrait at face value.
Anne Sanders and Christopher Chapman bring passionate characterisation to Express Yourself, the Portrait Gallery collection exhibition celebrating iconoclastic Australians.
Traversing paint and pixels, Inga Walton examines portraits of select women in Tudors to Windsors: British Royal Portraits.
Andrew Sayers discusses the real cost of George Lambert's Self portrait with gladioli 1922.
In his speech launching the new National Portrait Gallery building on 3 December 2008, then Prime Minister Kevin Rudd set the Gallery in a national and historical context.
Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?
Gareth Knapman explores the politics and opportunism behind the portraits of Tasmania’s Black War.
Robyn Sweaney's quiet Violet obsession.