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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Ashley Harrison speaking about 'George Tjungurrayi' (2002) by Mattys Gerber

Young Indigenous Voices

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One of the NPG’s Reconciliation Week programs Young Indigenous Voices, a portrait tour, was held Sunday 27 May.

Ryan Mulhall Sharing his favourite portrait of the philosopher David Chalmers

Very Young Voices: Ryan Mulhall

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Last Sunday, Ryan Mulhall was part of Very Young Voices a Children’s Week program that gave voice to the younger generation, sharing the stories of portraits they enjoy.

Archie Roach

Young Arts Voices

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Last sunday six emerging visual art, photography, dance, drama and music students responded to their favourite portraits in the NPG collection.

Guy Claxton

Guy Claxton Lecture

Creativity and Happiness
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Archduke Franz Ferdinand of Austria, 1899 by Carl Pietzner

The Archduke

About Face article

The immediate chain of events that led to the outbreak of the First World War began 100 years ago on June 28.

Olga Radalyski prison records, on loan from the Public Record Office of Victoria.

The sensational denouement of the case

The Yarra Boot Trunk Tragedy, 12 January 1899
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The 'Yarra Boot Trunk Tragedy' unfolded a week before Christmas 1898, when some neighbourhood boys noticed a wooden box floating in the river at Richmond. 

Dr John Yu

Children’s Week

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For the rest of the week we celebrate Children’s week and ‘the right of children to enjoy childhood.’

Clara Crosbie

The finding of Clara Crosbie

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Clara Harriet Crosbie was twelve years old when she went missing in the bush near Yellingbo in the Yarra Valley in May 1885.

Phuoc Tuy Province, South Vietnam, 15 Jan 1969 by David Combe

Peaceful front

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‘Is this one of yours?’ David Combe still remembers reading the letter from his father in early 1969. Like every soldier serving in Vietnam, he valued any missive from home.

Koko & Kiko (42nd Street Series), 1980 by Larry Clark

Best buds

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It’s important to have a best bud when you’re growing up. For many boys the transition from boyhood through adolescence is defined by wanting to fit in. 

Hugh 2015, by Warwick Baker

Friends

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Warwick Baker’s photos of his friends are intimate. They hold a stillness that allows their subjects to be at ease.

Justin Pendleton, Venice Beach, California, USA, 2009 by Nikki Toole

How do you see a Skater?

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Skaters are the subject of our gaze in, Skater, photographs by Nikki Toole.

The selfie stick

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Last week ABC Television came to interview me about selfie sticks. The story was prompted by the announcement that the Metropolitan Museum of Art in New York has lately prohibited the use of these inside their galleries. So far as I am aware we have not yet encountered the phenomenon, but no doubt we will before too long.

Barry Humphries

Talking heads

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In their own words lead researcher Louise Maher on the novel project that lets the Gallery’s portraits speak for themselves.

Percy, Reginald, Monty and George Faithfull, undated by Henry Dorner. Image courtesy the National Museum of Australia.

An affray which deserves particular mention

Ben Hall and his gang outdone, 6 February 1865
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Bushranger Ben Hall and his cronies held around 40 people hostage in a pub north-west of Goulburn, telling their captives ‘don’t be alarmed; we only came here for a bit of fun’.

Untitled, Conductors, Tramways series, 1990 © Matt Nettheim

Back track

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Penelope Grist finds photographer Matt Nettheim re-visiting a formative and fulfilling career tram stop.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency