Penelope Grist’s spirits soar with Lisa Tomasetti’s Dancers in the Streets series.
Emily Casey takes in Shirley Purdie’s remarkable self-portrait, Ngalim-Ngalimbooroo Ngagenybe.
Tedi Bills on how social media in the age of COVID-19 has fanned the flames of our portrait fascination.
In their own words lead researcher Louise Maher on the novel project that lets the Gallery’s portraits speak for themselves.
Corinna Cullen on the symbolic power of pandemic-related imagery over the ages.
Penelope Grist charts an immersive path through Stuart Spence’s photography.
