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Sandra Bruce explores a new acquisition that has within it a story of interconnectivities in the Australian art world.
Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.
Bruce Petty's animated self portrait captures a life's journey compressed into a few minutes.
Sandra Bruce chats with seven-time NPPP finalist Chris Budgeon about photography, guitars and representing the human story.
A toast to the acquisition of an unconventional new portrait of former Prime Minister, Stanley Melbourne Bruce.
Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.
Christopher Chapman examines the battle of glamour vs. grunge which played out in the fashion and advertising of the 1990s.
This issue of Portrait Magazine features the inaugural hang of the new National Portrait Gallery, Cadel Evans, Stuart O'Grady, Robbie McEwen, Casey Stoner, Bruce Petty and more.
Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008
Hugh Ramsay, the fashion of Jenny Kee and Linda Jackson, Peter Wegner's centenarian series, John and Elizabeth Gould's family connections, Karen Quinlan's top five portraits and more.
The Huxleys, National Portrait Gallery London’s masterpieces, Jennifer Higgie on portraits of women by women, Tamara Dean, Bangarra, Glynis Jones on fashion photographers, and NPG/NGV collaboration.
Dr G Yunupingu (1970-2017), a man of the Gumatj clan of north-east Arnhem Land, learned to play guitar, keyboard, drums and didgeridoo as a child.
William Yang on his autobiographical self portraits, David Parker's 1970s and 80s Melbourne music photographs, seven-time NPPP finalist Chris Budgeon, and Benjamin Warlngundu Ellis.
Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.
Nicholas Harding describes his enduring fascination with drawing and painting people.
Penelope Grist explores the United Nations stories in the Gallery’s collection.