Natasha Gadd is an independent documentary filmmaker, writer and curator based in Melbourne.
1 portrait in the collection
Purchased 2011
My practice has always been driven by my experimental curiosity, from heavy wax and resin bodies generated in flame, to delicate temporal works that explore the conductive and alchemical possibilities of copper.
Natasha Johnston (1914-1984) was born Nataliya Konstantinovna Bagration-Moukhranskya, Princess Natasha Bagration, in Crimea.
1 portrait in the collection
Collection: National Portrait Gallery
Gift of Hugo Vickers 2005
Gift of the artist 2000. Donated through the Australian Government's Cultural Gifts Program.
Born in Melbourne, Natasha Bieniek began her formal artistic training at the Victorian College of the Arts in 2002. Bieniek’s When the music’s over (2006) won the Nino Sanciolo Art Prize, a painting scholarship to study at the Accademia d’Arte in Florence, where she learnt the ancient technique of egg tempera.
The exhibition features work from Jan Nelson, Natasha Bieniek, Patricia Piccinini, Juan Ford, Petrina Hicks, Ron Mueck, Yanni Floros, Sam Jinks, Michael Peck and Robin Eley.
Amanda King is a Sydney-based visual artist and producer and director of film documentaries.
1 portrait in the collection
Press releases and image downloads for media.
My Favourite Australian is a project developed in collaboration with ABC TV and the people of Australia.
In the flesh is an enthralling and immersive experience of contemporary art that confronts the concept of humanness and the experiences of consciousness and emotion. Featuring ten Australian artists including Jan Nelson, Patricia Piccinini, Ron Mueck and Michael Peck, the exhibition explores themes of intimacy, empathy, transience, transition, vulnerability, alienation, restlessness, reflection, mortality and acceptance.
Sir Kenneth Gillespie (1929–2010), dancer, teacher and founder of the Tasmanian Ballet, left his native Launceston at age sixteen to join the Borovansky Ballet in Melbourne.
1 portrait in the collection
Natasha Bieniek Most of Bieniek’s subjects are reclining, but none are resting – they have in the artist’s words a ‘melancholia, restlessness and uneasiness'.