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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

John Olsen AO, CBE
John Olsen AO, CBE
John Olsen AO, CBE

John Olsen AO, CBE, 2017

Nicholas Harding
Portrait, oil on linen

Gift of the artist 2019. Donated through the Australian Government's Cultural Gifts Program.

David Marr, 2011 by Nicholas Harding

Through thick and thin

Magazine article by Dr Sarah Engledow, 2017

Sarah Engledow likes the manifold mediums of Nicholas Harding’s portraiture.

Hugo at home (Hugo Weaving)

Nicholas Harding

28 Portraits
Previous exhibition, 2017

Nicholas Harding: 28 portraits features paintings of Robert Drewe, John Bell and Hugo Weaving alongside gorgeously coloured recent oil portraits, delicate gouaches and bold ink and charcoal drawings.

David Marr, 2011 by Nicholas Harding

Nicholas Harding: 28 Portraits

Exhibition essay
General content

Sarah Engledow looks at three decades of Nicholas Harding's portraiture.

Richard Roxburgh
Richard Roxburgh
Richard Roxburgh

Richard Roxburgh, 2014

Nicholas Harding
Portrait, oil on linen

Gift of the artist 2017. Donated through the Australian Government's Cultural Gifts Program.

Nicholas Harding, 2016 Mark Mohell

Nicholas Harding

Explore The Popular Pet Show

Over the years the young Nicholas Harding got his hands on various mice and guinea pigs, but they served mainly to illustrate the concept of mortality. 

Rehearsing Godot (Mullins as Lucky) 4.11.2013 by Nicholas Harding

Waiting for Godot

Magazine article by Dr Sarah Engledow, 2015

'Artist and actors, advancing spasmodically, find their rhythm together' writes Sarah Engledow.

Robert Drewe

An interview with Nicholas Harding
Portrait story

Artist Nicholas Harding talks about what was captured in his portrait of Robert Drewe.

Nicholas Harding

'A portrait of Hugo Weaving'
Portrait story

Artist Nicholas Harding talks about how he became interested in portraiture, and his motivation in painting Hugo Weaving.

Rex at Maroubra, 2011

Observation point

Magazine article by Nicholas Harding, 2013

Nicholas Harding describes his enduring fascination with drawing and painting people.

Hugo at home (Hugo Weaving)
Hugo at home (Hugo Weaving)
Hugo at home (Hugo Weaving)

Hugo at home (Hugo Weaving), 2011

Nicholas Harding
Portrait, oil on canvas

Purchased with funds provided by the Liangis family 2012

John Bell as King Lear oil on Belgian linen, 2001 by Nicholas Harding

Lear unbuttoned

Magazine article by Dr Sarah Engledow, 2011

Sarah Engledow steps up to the footlights and applauds the storyline behind Nicholas Harding's portraits of actor John Bell.

Robert Drewe (in the swell)

Undercurrent

Magazine article by Dr Sarah Engledow, 2010

Dr Sarah Engledow writes about the portraiture of Australian artist Nicholas Harding.

Study for John Bell as King Lear
Study for John Bell as King Lear
Study for John Bell as King Lear

Study for John Bell as King Lear, 1998-2001

Nicholas Harding
Portrait, ink, charcoal and conté on paper

Gift of the artist 2010. Donated through the Australian Government's Cultural Gifts Program.

Robert Drewe (in the swell)
Robert Drewe (in the swell)
Robert Drewe (in the swell)

Robert Drewe (in the swell), 2006

Nicholas Harding
Portrait, oil on canvas

Purchased 2010

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Canberra, ACT 2600, Australia

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ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency