This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.
Curator Michael Desmond introduces the exhibition Truth and Likeness, an investigation of the importance of likeness to portraiture.
Tegan McAuley looks at the evolution of video portraiture.
Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.
Anne O’Hehir on the seductive power of the film still to reflect and shape ourselves and our cultural landscape.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.