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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

White Drummer Ghost Class

by Tina Havelock Stevens
General content

Finalist, MDPA 2015

Betina Fauvel-Ogden and James Graham

Betina Fauvel-Ogden and James Graham

Vox pops

Well, James is my partner's son-in-law, and I've known him for quite a long time.

Kaylene Whiskey in her studio, raising her arms in the air in celebration, next to a life size cutout of wonder woman and an artwork in progress

Kaylene Whiskey

Artists and Collectives

Kaylene Whiskey is a Yankunytjatjara artist based in Indulkana on the Aṉangu Pitjantjatjara Yankunytjatjara Lands in South Australia known for her unique visual universe that playfully combines Aṉangu cultural references with pop culture.

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Macquarie Digital Portraiture Award 2015 finalists announced

17 August 2015
Archived media releases 2015

The National Portrait Gallery have selected the finalists for the Macquarie Digital Portraiture Award 2015.

Winners announced: Macquarie Digital Portraiture Award 2015

27 August 2015
Archived media releases 2015

The winners of the Macquarie Digital Portraiture Awards will be announced tomorrow morning at 10.00am at the National Portrait Gallery.

Andrew Gaze

Andrew Gaze, 2018

by George Fetting
General content

Commissioned with funds provided by Trent Birkett 2018

What the tree saw: David Foster

What the tree saw: David Foster, 2018

by Jacqui Stockdale
General content

Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018

Trans-, 2004-05 by Tejal Shah

Tejal Shah

by Gitanjali Dang
Artist essays

Born in 1979, Tejal Shah grew up in Chhattisgarh, central India, moving to Bombay in 1995.

Self portrait

Rick Amor: 21 Portraits

General content

Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency